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David Binney: Graylen Epicenter

by C. Michael Bailey
Alto saxophonist and producer David Binney has become a ubiquitous presence in jazz in the last 20 years fronting his own bands while appearing with Donny McCaslin, Uri Caine, Joel Harrison, Edward Simon and Bobby Previte. He might be considered the logical next step in jazz saxophone after Wayne Shorter and Michael Brecker (Sonny Rollins remains in an orbit by himself), never mind that he is not a tenorist. Binney has been sharpening his direction over his last two recordings ...
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by Dan Bilawsky
19th-century German novelist Berthold Auerbach is long forgotten by the masses in modern day society, but his best-known quote about music, Music washes away from the soul the dust of everyday life," still lives on but pays no mind to the fact that some of the finest music can be reflective of everyday life. The human population experiences a daily yin and yang built of creation and destruction, hope and despair, joy and anger, simplicity and complexity, ...
Continue ReadingDavid Binney: Graylen Epicenter

by Troy Collins
Saxophonist, composer and producer David Binney, a progressive artist with one foot in the mainstream and the other in the avant-garde, has gracefully skirted the tenuous divide between traditions for over two decades. Regularly alternating between semi-casual blowing dates and far more ambitious projects, Binney follows up the relatively straight-ahead Aliso (Criss Cross, 2010) and lavish Third Occasion (Mythology, 2009) with the expansive Graylen Epicenter. Featuring a host of Binney's longstanding associates, this wide-ranging session offers a compelling portrait of ...
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by John Kelman
Even with artists whose eyes are always on a dangling carrot that keeps them moving relentless forward, there are albums where quantum leaps are made. Since 2005, alto saxophonist/composer David Binney has been alternating between small ensemble, inherently quick-and-dirty sessions for the Dutch Criss Cross label like Aliso (2010) and more ambitious projects on his own Mythology label, including the particularly excellent Third Occasion (2009). If Third Occasion found Binney's reckless yet unerringly focused playing and instantly recognizable and influential ...
Continue ReadingChristophe Schweizer Moonsun: Cocoa

by AAJ Italy Staff
Cocoa è un disco che si presenta lineare e se vogliamo anche piuttosto canonico. Composizioni ben strutturate e formalmente ineccepibili, esecuzioni ben ancorate alla tonalità, interplay fluido e ben organizzato, rispetto dei ruoli, arrangiamenti raffinati. Ma l'eleganza che ammalia l'ascoltatore e che avvolge la proposta musicale contenuta nell'ultimo lavoro del trombonista svizzero Christophe Schweizer è tutt'altro che statica, monotona, prevedibile. Vi è infatti in Cocoa una sottile, vibrante tensione provocata dalla maestria degli interpreti, abili nel creare piccoli salti di ...
Continue ReadingDavid Binney: Aliso

by J Hunter
For Aliso, reedman David Binney wanted to get back to doing things that have been part of my life since I was a kid." It's clear that any time is a good time for a happy childhood, because both Binney and his band dive into Aliso like 10 year-olds on vacation at Disney World.
The opening title track has a gritty New York feel reminiscent of the mid-century era Criss Cross likes to revisit. The groove is complex and rich, ...
Continue ReadingThe Multi-Tasking State of David Binney 2010

by C. Michael Bailey
Saxophonist David Binney has been a ubiquitous presence in jazz since his first recording, Point Game (Owl, 1989), both as a leader and a sideman. So prolific is Binney, that any multiple-disc review featuring him will be dated immediately. Well, so be it, this is a summer 2010 snapshot of some of the recent activity of this very busy and talented saxophonist/producer. It features Binney first as leader and then in the company of drummer Adriano Santos and bassist Alper ...
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