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Jazz Articles about Dave Liebman


About Dave Liebman

188

Album Review

Dave Liebman & Bobby Avey: Vienna Dialogues

Read "Vienna Dialogues" reviewed by Michael P. Gladstone


Dave Liebman has released seventy albums since 1972, matching some of the most frequently recorded musicians in jazz, but the soprano saxophonist keeps moving forward. Vienna Dialogues is a duet performance with pianist Bobby Avey. Throughout his career, Liebman has collaborated on several piano-saxophone duet albums, the most recent of which was Manhattan Dialogues (Zoho, 2005) with pianist Phil Markowitz.

An improviser who can play bebop or free jazz flawlessly, Liebman studied with Lenny Tristano and Charles Lloyd. He gained ...

312

Album Review

Dave Liebman & Bobby Avey: Vienna Dialogues

Read "Vienna Dialogues" reviewed by Victor Verney


Prominent jazz musicians from Bill Evans to Christian Howes have begun their musical careers with formal training in classical music. Others, like Duke Ellington and Dave Brubeck, have explored classical compositional form during the latter part of their careers. But few have taken on the challenge with the passion and commitment shown by Dave Liebman, as demonstrated on Vienna Dialogues, a recording he made in tandem with pianist Bobby Avey.

Here, Liebman--who began his musical studies on classical piano at ...

1

Album Review

David Liebman: The Distance Runner

Read "The Distance Runner" reviewed by AAJ Italy Staff


Primo disco dal vivo da Dave Liebman in solo, questo The Distance Runner è stato registrato, probabilmente non per caso, poche settimane dopo la morte di Steve Lacy, al quale Liebman succede simbolicamente nel ruolo di massimo sopranista in attività. E allo stesso Lacy è dedicato il brano di apertura, “The Loneliness of a Long Distance Runner: Mind and Body”, interamente al soprano. Certo, Liebman rimane fedele alla propria poetica, com’è giusto che sia, non solo imbracciando a più riprese ...

265

Multiple Reviews

The Distance Runner; World Sonic

Read "The Distance Runner; World Sonic" reviewed by Abe Pollack


Dave Liebman The Distance Runner Hatology 2005

The Distance Runner is a record of expectations, or rather lack thereof. If you're familiar with Liebman's approach to composition and improvisation, you would think that 55 minutes of saxophone solos would sound like a re-recording of late-Coltrane works mixed with early 21st Century classical motifs. Instead we have the surprise of a child-like spontaneity. With every note bend and tone alteration, we can hear Liebman experimenting ...

381

Album Review

David Liebman: The Distance Runner

Read "The Distance Runner" reviewed by Chris May


A tour de force of spontaneous musicmaking and an object lesson in how to put prodigious technical facility at the service of the music, rather than something to be admired for its own mechanical and ultimately barren sake, master saxophonist Dave Liebman's The Distance Runner is from a solo concert recorded at the Willisau festival in '04. An entire album of solo saxophone music (with a brief flute interlude) might sound like hard work for the listener (and sometimes it ...

426

Album Review

David Liebmam: The Distance Runner

Read "The Distance Runner" reviewed by John Kelman


The Distance Runner is not saxophonist Dave Liebman's first solo recording--he's released a handful of them over his forty year career, including the exceptional The Loneliness of a Long Distance Runner (CMP, 1985). But his latest release is something special, as it documents his first-ever live solo performance, at Switzerland's 2004 Willisau Jazz Festival--an entirely different beast. As anyone who has performed live will attest, it's one thing to get on stage with a group--no matter how ...

255

Album Review

Dave Liebman & Phil Markowitz: Manhattan Dialogues

Read "Manhattan Dialogues" reviewed by Andrew Velez


The opener on Manhattan Dialogues, most of which is composed by David Liebman, is his own “Teacher of Our Child. It's a comfortably melancholy rumination, yet more suggestive of the early hours of a morning after than of a kindergarten. By contrast, “7 only fleetingly lands on traditional melodic structure. Here Liebman (soprano and tenor saxophone) and Phil Markowitz (piano), who have been collaborating in various settings since the early '90s, trade musical fragments. Markowitz jumps around on the keys, ...


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