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Jazz Articles about Daniel Herskedal

11
Album Review

Marja Mortensson & Daniel Herskedal: Lååje – Dawn

Read "Lååje – Dawn" reviewed by Ian Patterson


For her Norwegian Grammy-winning album Mojhtestasse (Vuelie, 2018), South Saami singer Marja Mortensson recruited tuba player Daniel Herskedal and drummer/percussionist Jakop Janssønn on a sublime offering of nature-inspired folk songs. On Lååje—Dawn , Mortensson and Herskedal reunite for their first duo outing, once again finding their muse in Norway's nature. But the seasonal invocations in Mortensson's poetic lyrics are tempered by ecological warnings. Dawn represents renewal and hope, but as Mortensson and climatologists the world over know, Earth is at ...

4
Album Review

Daniel Herskedal: Voyage

Read "Voyage" reviewed by Ian Patterson


Though Norwegian tubist Daniel Herskedal first garnered widespread recognition with Neck of the Woods (Edition Records, 2012)—a sublime collection of folkloric-cum-hymnal meditations with Marius Neset--his unique talent had already won over the jurists at Getxo Jazz in 2004. Two solo albums on the NorCD label made minor ripples before Edition Records came along. Herskedal's next two Edition releases, Slow Eastbound Train (2015) and The Roc (2017) helped establish his credentials as a composer of hauntingly beautiful music of original design. ...

5
Album Review

Daniel Herskedal: Voyage

Read "Voyage" reviewed by Geno Thackara


You know what they say: nothing opens doors and wins people over like playing an instrument. It can make the most unlikely artist into a star. It may seem like rock guitarists or charismatic saxophone players get most of the attention, but learn to handle a tuba and it can really take you anywhere. Maybe people don't quite say it like that, but it's still proven true for Daniel Herskedal. Voyage continues a scintillating travelogue that follows on ...

4
Album Review

Daniel Herskedal: Voyage

Read "Voyage" reviewed by Roger Farbey


Daniel Herskedal's third release for Edition Records is no less intriguing than his first two, Slow Eastbound Train (2015) and The Roc (2017). It's tempting to summarise the album as “pastoral," but there's a lot more to it than that solitary adjective. Granted, tunes like “The Horizon" and “Molly Hunt's Seagulls" really are pastoral, dreamlike, and evocative of the nautical imagery central to the album's theme. But “Batten Down The Hatches," the opener, is no tranquil outing. Herskedal's ...

8
Album Review

Daniel Herskedal: The Roc

Read "The Roc" reviewed by Geno Thackara


Here we have a title that's both fitting and misleading. In Arabian mythology, a roc is a large and dangerous bird of prey capable of sinking ships and feeding on elephants. Daniel Herskedal offers a pan-Asian chamber-jazz travelogue through some exotic landscapes with his second solo release on Edition Records, but there's nothing intimidating about it. Instead The Roc is a vivid experience both adventurous and inviting.The folk roots of Herskedal's native Norway are certainly evident and there's ...

5
Album Review

Daniel Herskedal: The Roc

Read "The Roc" reviewed by Roger Farbey


The Roc is Norwegian tuba player Daniel Herskedal's follow-up album to his 2015 recording for Edition Records, Slow Eastbound Train which like its predecessor again features Eydolf Dale on piano and Helge Andreas Norbakken on percussion. However, that record also benefitted from the massive Trondheim Soloists chamber string orchestra. A pastoral beginning with “The Seeds Of Language" belies the nature of the ensuing tracks, things taking a more overtly oriental turn on the title track and beyond. Specifically, ...

10
Album Review

Daniel Herskedal: Slow Eastbound Train

Read "Slow Eastbound Train" reviewed by Bruce Lindsay


Sometimes, album titles tell all: sometimes they tell little or nothing. Slow Eastbound Train sits somewhere in between. Train? No obvious examples. Eastbound? Hmm. Slow? That pretty much describes the pace of much of the music on this album, by Norwegian musician and composer Daniel Herskedal. But none of these three words come close to describing the grace, inventiveness and beauty of this lovely recording. Herskedal plays tuba and bass trumpet, both with a fluidity and melodic strength ...


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