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About Daniel Carter

16

Album Review

Daniel Carter, Matthew Shipp. William Parker, Gerald Cleaver: Welcome Adventure Vol. 1

Read "Welcome Adventure Vol. 1" reviewed by Mike Jurkovic

by Mike Jurkovic

It takes all of fifty-seven seconds for Welcome Adventure Vol. 1 to move from what starts as of one of those gnarled but exquisite, corpse-like Matthew Shipp solo mind-opuses into exactly that but with some friends. Friends who want want to swing but in a just-out, avant way. It's where their heads are at the moment and is the advance directive imbued in the spirit of Welcome Adventure Vol. 1. The three performances, “Majestic Travel Agency," “Scintillate," and ...

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25

Album Review

Daniel Carter / Matthew Shipp / William Parker / Gerald Cleaver: Welcome Adventure! Vol. 1

Read "Welcome Adventure! Vol. 1" reviewed by Karl Ackermann

by Karl Ackermann

When multi-instrumentalist Daniel Carter, bassist William Parker and pianist Matthew Shipp met for an esoteric evening of discussion and music at Tufts University in 2017, the net result was Seraphic Light (AUM Fidelity, 2018). That three-part improvised program was one of the best free improvisation albums of the year. On Welcome Adventure! Vol. 1, the trio expands to a quartet with the addition of drummer Gerald Cleaver. The new formation brings with it a sound different from the first excursion. ...

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5

Album Review

Aron Namenwirth / Daniel Carter / Joe Hertenstein / Zach Swanson: Live At The Bushwick Series

Read "Live At The Bushwick Series" reviewed by John Sharpe

by John Sharpe

This instalment of the Live At The Bushwick Series offers a communiqué from the front line of free jazz in New York City. It's the sort of below the radar activity which is rarely documented, but nonetheless deserves to be heard. In this particular case, it's also part of an ongoing event, curated by saxophonist and label boss Stephen Gauci, which happens downstairs every Monday night in Brooklyn's Bushwick Public House. Guitarist Aron Namenwirth and trumpeter and reedman Daniel Carter ...

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3

Album Review

Daniel Carter: Radical Invisibilty

Read "Radical Invisibilty" reviewed by Mike Jurkovic

by Mike Jurkovic

Always on the farthest fringe of both the downtown New York music scene and the jazz world at large hasn't stopped multi-instrumentalist Daniel Carter from leaving an indelible imprint on the greater consciousness. He has worked alongside other mavericks, notably Thurston Moore, Yoko Ono, Cecil Taylor, and Jaco Pastorius. His horns are fiery, disruptive and probing, exultant and brooding, seething and, since the mid-70's, searching as incessantly and masterfully for the right note at the right time. That ...

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5

Radio & Podcasts

A Focus On Daniel Carter

Read "A Focus On Daniel Carter" reviewed by Bob Osborne

by Bob Osborne

A show with a close look at free jazz multi-instrumentalist Daniel Carter with a focus on his output since 2003, and a detailed look at from 2018.Playlist Daniel Carter “Hok Zhou" from Chinatown (Not Two Records) 00:00 Daniel Carter and Matt Lavelle “The D.C. Key" from Live at Tower Records 0812 06 (Atnimara Records) 13:09 Daniel Carter, William Parker and Federico Ughi “Little Did I Know" from The Dream (577 Records) 19:03 Federico Ughi, Gene Janas, and Daniel ...

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1

Album Review

Daniel Carter: Seraphic Light [Live At Tufts University]

Read "Seraphic Light [Live At Tufts University]" reviewed by Giuseppe Segala

by Giuseppe Segala

Questa registrazione scaturisce da un incontro organizzato nel 2017 dalla Tufts University di Medford, Massachusetts, a pochi chilometri da Boston. Sotto il titolo “Art, Race and Politics in America" si presentava il concerto con Daniel Carter, Matthew Shipp, William Parker e una discussione sul ruolo degli artisti neri innovativi in America, oggi. Cosa si possa intendere con il termine innovazione, oggi nel campo artistico, non è questione di facile orientamento. Ma senza dubbio la musica che ascoltiamo in Seraphic Light ...

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4

Album Review

Daniel Carter, Tobias Wilner, Djibril Toure, Federico Ughi.: New York United

Read "New York United" reviewed by Mike Jurkovic

by Mike Jurkovic

Like all folk musics exposed to migration, the rhythms shift and drone. The bottom falls out of harmonic structures and then reconstitutes from thin air. Oratorical woodwinds, strings, horns and whistles mournfully proclaim or brightly celebrate. Bringing New York folk music to light, New York United open their self-titled disc with the pulsating “Canal Street," a sonic imagining of the east-west thoroughfare severing Lower Manhattan but uniting Chinatown, Little Italy, and a host of smaller ethnic enclaves along its loud, ...

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