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Jazz Articles about Craig Handy

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Album Review

Ralph Peterson & the Messenger Legacy: Onward & Upward

Read "Onward & Upward" reviewed by Paul Rauch


Generally speaking, legacy bands are created to preserve the music of an artist. They feature innovative interpretations of an artist's compositions or past performances to share with future generations of listeners. In the case of drummer Ralph Peterson, his ambitious efforts to honor the continuum of his mentor Art Blakey are forward thinking, about a collective gathering of resources that stress creative thought and individuality. Just as the true legacy of the Jazz Messengers portends, contributors are charged with replenishing ...

3
Live Review

Craig Handy Quartet at Sunset Jazz Club

Read "Craig Handy Quartet at Sunset Jazz Club" reviewed by Patricia Myers


Craig Handy Quartet Hommage a Dexter Gordon Sunset Jazz Club Paris, France July 8, 2016 Tributes to noted jazz musicians are frequent throughout Europe, especially in Paris. Each “hommage" centers on the hits and compositions of a star, performed by a musician with a high skill-level for the instrument identified with the honored one. For this two-night booking, it was a salute by New York tenor saxophonist Craig Handy to Dexter ...

Album Review

Ark Ovrutski: Sounds of Brasil

Read "Sounds of Brasil" reviewed by AAJ Italy Staff


Il bassista ucraino Ark Ovrutski si è trasferito a New York cinque/sei anni fa. La grande mela è una città che offre a tutti la possibilità di confrontarsi con tutti, a cominciare proprio da altri immigrati che hanno la mente aperta e la voglia di trovare nuovi spunti provenienti da altre culture. E di mischiarli con le proprie conoscenze. In questo modo le culture si fondono fra loro e compiono passi avanti. Quindi non ci dobbiamo meravigliare più di tanto ...

1,574
Interview

Craig Handy: The Busiest Man In Jazz

Read "Craig Handy: The Busiest Man In Jazz" reviewed by Robert Dugan


Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set out for the edge, walk it, but never fall off. While he derives portions of his vocabulary from the'Trane/Shorter axis, there is a shrewd ...


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