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Chantal Acda: Silently Held
by Neil Duggan
Somewhere near the point where jazz, Americana and alt-folk meet, Belgian singer-songwriter Chantal Acda can be found. She has carved out a distinctive sound using a restricted and intimate sonic landscape crafted to enhance her vocal delivery. Her voice is soft and breathy with a fragile edge, and she delivers her lyrics with an intense focus. She has recorded solo and with differing groups of musicians on her previous albums. For Silently Held, she is joined by some outstanding players ...
Continue ReadingIvo Perelman: Reed Rapture in Brooklyn
by Jeff Schwartz
Is this album fundamentally unreviewable? Are there jazz fans who do not immediately know if they need an 11-hour collection of 103 improvised duets between Ivo Perelman and a dozen saxophonists and clarinetists? It is at least describable. Perelman is faithful to his tenor, while his partners bring examples of nearly every type of saxophone, from soprillo to contrabass, as well as most of the clarinet family. Although all tracks are free improvisations, the default mode is ...
Continue ReadingReed Rapture With Stetson And More
by Bob Osborne
On this show we continue our look at Ivo Perelman's Reed Rapture In Brooklyn focusing on his duets with Colin Stetson. As well as further music from Stetson I am also featuring new albums from Patrick Golden, Something Blue, and Marc Ducret. Playlist Show Intro 00:00 Ivo Perelman, Colin Stetson “Five" from Reed Rapture In Brooklyn (Mahalaka Music) 01:06 Colin Stetson “Never Were the Way She Was" from Never Were the Way She Was (Constellation Records) 11:32 ...
Continue ReadingIvo Perelman: Reed Rapture in Brooklyn
by Mark Corroto
"Let's play two," the famous line by the Cubs Hall-of-Fame baseball player Ernie Banks in 1969, uttered when the temperature in Chicago had reached 105 degrees (40.5 celsius) and his teammates were exhausted, might find its analogy with this massive undertaking from saxophonist Ivo Perelman. At eleven hours in length though, the two games Banks cited are not single games, but more like two double-headers here. Like the baseball infielder, Perelman has limitless energy and a never-ending appetite for creativity, ...
Continue ReadingReed Rapture In Brooklyn: A Box Set Of Woodwind Duets With Ivo Perelman
by Hrayr Attarian
One of the 20th century's musical geniuses, saxophonist Charlie Parker said “Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you that music has boundaries. But, man, there's no boundary line to art." This statement on unbridled creativity applies perfectly to saxophonist Ivo Perelman's oeuvre. Perelman, however, is not just a saxophonist. Although the tenor is one of his favorite tools of expression, he is an ...
Continue ReadingColin Stetson, Ches Smith, Marisa Monte, Evgeny Ponomarev & Other New Releases
by Ludovico Granvassu
The much-awaited return of Marisa Monte and the faux-Nippo-jazz of Julien Daïan open a show which centers around the outstanding new album by Ches Smith and dives deep into the diversity of today's international jazz scene. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Marisa Monte “Calma" Calma -Single (Sony) 0:16 Host talks 3:21 Julien Daïan Quintet “Shinjuku Nemura Naï" Cut Up (French Paradox) 04:09 Host talks 08:07 Evgeny Ponomarev ...
Continue ReadingColin Stetson a JazzMi 2018
by Luca Muchetti
Colin Stetson Teatro dell'Arte-Triennale JazzMi Milano 4.11.2018 C'è qualcosa che spinge il concerto di Colin Stetson al Teatro dell'Arte della Triennale, uno degli appuntamenti-chiave dell'edizione 2018 di JazzMi, ben oltre la spettacolare presentazione dal vivo di All This I Do for Glory, e che fa diventare il live visto a Milano una sorta di prova del fuoco dell'intera filosofia seguita da Stetson nel suo cammino da solista. L'album --uscito ...
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