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Jazz Articles about Claudio Scolari
Claudio Scolari: Colors of Red Island
by Raul d'Gama Rose
There is a wonderful, sweeping cinematic quality to Colors of Red Island. With ghostly bass drum bombs and the clack of steady rim-shots that precedes an ethereal undulating piano lick mimicked by an equally ethereal trumpet, the music unfolds; a soundtrack that accompanies an artist's journey towards a Utopian setting, not far from earth, but at the same time, separate enough to be free of its everyday preponderances of the rat race. Leaving the rats above ground, the musician retreat ...
read moreClaudio Scolari: Colors Of Red Island
by Bruce Lindsay
Colors Of Red Island is a percussion-driven album--unsurprisingly, given that Claudio Scolari and his collaborator Daniele Cavalca are both drummers and percussionists of some considerable talent. Scolari and Cavalca are also talented composers, with a sophisticated ability to blend acoustic and electronic sounds in ways that emphasize the beauty of each and never risk the album becoming percussion-heavy. The result is a recording that contains funky, danceable rhythms, reflective soundscapes, and driving, up-tempo grooves. Scolari is an ...
read moreClaudio Scolari: Dreams And Emotions Of City
by Budd Kopman
Dreams And Emotions Of City is drummer/percussionist Claudio Scolari's third release in as many years, showing a deepening exploration of the intersection of music and emotions. 2005's Reflex and 2006's The My Fourteen Songs, both also released on Principal Records, were primarily music as emotional expression, sound painting in the abstract. Dreams And Emotions Of City falls in between the sound worlds of the previous two albums. Reflex was on the more abstract side with much layering, ...
read moreClaudio Scolari: The My Fourteen Songs
by Budd Kopman
The My Fourteen Songs is Claudio Scolari's first release since 2005's Reflex (Principal). That album used many different sounds, textures and ambiences through electronics, drums and voices in order to explore the emotions that could be induced in the listener. Scolari's current effort is a much more stripped-down affair with only drums, synthesizer, electric guitar and some voice. The complexity and layering of Reflex has been replaced with simplicity and directness. Each track has a different vibe, ...
read moreClaudio Scolari: Reflex
by Franz A. Matzner
Using only voice, percussion, and synthesizers, Italian composer/percussionist Claudia Scolari blends ambient, darkwave, and world music textures to create an album of dramatic musical landscapes. Heavily minimalist and more organic than most ambient electronica, this music will tip those familiar with O Yuki Conjugate, Main, A Small Good Thing, and other similarly texture-oriented bands to the roots of Scolari's experimentation. Those unfamiliar with this heritage will be stepping into foreign realms far removed from mainstream--and even most ...
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