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Jazz Articles about Chick Corea

8
Album Review

Chick Corea: The Montreux Years

Read "The Montreux Years" reviewed by Mike Jurkovic


Did Chick Corea ever disappoint? Did he ever fail to cast a sense of wonderment and community on any live performance? Did his mischievous hands ever land on a bad note? If so, it seems never happened at the Montreux Jazz Festival, where Corea spun his spell twenty-three times over the years, and certainly not on the fabulously curated The Montreux Years. Available in a host of configurations, the set blasts off with “Fingerprints" from 2001with Christian McBride ...

5
Album Review

Chick Corea: The Montreux Years

Read "The Montreux Years" reviewed by Doug Collette


If there is anything more ambitious than curating an extensive, comprehensive collection covering the history of an artist, it is collating selected works which vividly outline a particular timeline or theme. Chick Corea's The Montreux Years is a fine example of the latter; this seventh edition in the archive series devoted to the iconic festival not only reflects the late composer and pianist's technical skills, but also his eclectic stylistic tastes. And that is not to mention his fondness for ...

5
Album Review

Glenn Zottola & Chick Corea: The Legend & I

Read "The Legend & I" reviewed by Nicholas F. Mondello


With his untimely passing in February 2021, accolades emanated worldwide from musicians, critics and fans about multi-Grammy winner Chick Corea. What was less known then is the fact that Corea and multi-instrumentalist extraordinaire Glen Zottola were not only longtime close pals, but frequently interacted musically. The Legend & I is an artistic culmination of that friendship and professional relationship. And, as might be expected from artists of this caliber, the result is spectacular. The album offers a ...

4
Album Review

Glenn Zottola & Chick Corea: The Legend & I

Read "The Legend & I" reviewed by Edward Blanco


There have been several musical tributes to the late great Armando Anthony “Chick" Corea since his untimely passing in February, 2021, mostly from fellow musicians. However, The Legend and I is an intimate musical portrait from LA multi-instrumentalist Glenn Zottola who just happened to be one of Corea's best long-time personal friends. As Zottola affirms “He was my best friend and is dearly missed, but I know he will continue to create as that was his relentless purpose in life." ...

1
Album Review

Miles Davis: Stockholm Live 1967 & 1969 Revisited

Read "Stockholm Live 1967 & 1969 Revisited" reviewed by Maurizio Comandini


Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al culmine della sua parabola artistica, con una musica raffinata e potente allo tesso tempo, tecnicamente complessa eppure resa con grande scioltezza, proprio grazie alla ...

1
Radio & Podcasts

Remembering Chick Corea

Read "Remembering Chick Corea" reviewed by Len Davis


We remember Chick Corea on the first anniversary of his passing—Return To Forever, Elektric Band, and music from his collaborations with Steve Gadd and John McLaughlin. Plus music from the Moonjune Records sampler. Playlist Return To Forever “Theme To the Mothership" from Hymn Of The Second Galaxy (Polydor) 00:00 Chick Corea Electric Band “King Cockroach from Chick Corea Electric Band (GRP) 08:10 Chick Corea-Steve Gadd Band"Chick Chums" from Chinese Butterfly (Stretch) 16:21 John McLaughlin-Chick Corea"In A Silent Way/It's ...

10
Album Review

Eliane Elias: Mirror Mirror

Read "Mirror Mirror" reviewed by Jim Worsley


The Chick Corea composition “Mirror Mirror" made its debut on a record led by Joe Henderso. Compelled by the tune's conversational and interactive elements, the astute tenor saxophonist made it the title track. Mirror Mirror (MPS, 1980) featured the rhythm section of Ron Carter and Billy Higgins. Henderson's quartet was, not surprisingly, rounded out by Corea. Gleaned from Snow White—"Mirror, mirror, on the wall, who's the fairest of them all?"— Corea's vision is indeed of beauty. Beautiful melodic sensibilities mirrored ...


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