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A.R.C.: A.R.C.
by Mike Jurkovic
Without the exploding theorems of multi-reedist/composer/alchemist Anthony Braxton, A.R.C., the multifarious rhythm trio of Chick Corea, Dave Holland and Barry Altschul, continue the grand work of the short-lived (but most esteemed) quartet Circle on this 1971 reissue and remaster of the exploratory and free flying A.R.C. Corea, who, after a short solo turn would soon break the realm with Return To Forever is especially feisty here, as too is Holland, who would a year hence record Conference of ...
Continue ReadingChick Corea: Sardinia
by Mike Jurkovic
Coming amid a flurry of Chick Corea titles set for release in 2023--Candid Records' 10-LP set, Chick Corea Electric Band: The Complete Studio Recordings 1986-1991; the previously unreleased, Corea curated, 2-CD live Electric Band The Future Is Now and ECM's re-release of the pianist's first session for the label as a leader with Dave Holland and Barry Altschul, A.R.C. (1971)--it could be easy to overlook the exquisite music heard on Sardinia. But let's not. For there is something ...
Continue ReadingJean-Luc Ponty: Open Mind
by Peter Rubie
If Individual Choice was the sketchbook of Jean-Luc Ponty's (JLP) decision to take his music in a new direction, Open Mind (1984), released the following year, was a deeper exploration of the emerging world of synthesizers and sequencers and their impact on live (studio) performance. Here, complex rhythmic patterns shift in the background while new sounds appear and disappear on the surface in colorful bursts, and outstanding jazz improvisors create familiar music in new settings. It's almost an audio version ...
Continue ReadingLarry Coryell: Improvisations: Best of the Vanguard Years
by Josef Woodard
There have been many smoother operators in the world of jazz guitar than Larry Coryell, the brainy rough rider who was a natural-born fusioneer, in the best sense. There have been cleaner technicians on the instrument, with a more lucid sense of identity and careers that have followed a logical, rolling landscape. But not many have quite attained Coryell's strange, madly eclectic state of grace: into music he came, he saw and heard things not yet articulated, he conquered on ...
Continue ReadingMiles Davis Quintets: Stockholm 1967 & 1969 Revisited
by Mark Corroto
Let me ask you, how many versions of Miles Davis do you recognize? Let us employ the word 'recognize' in terms of both, to identify and to approve. Listeners new to the world of Miles would be hard pressed to associate the artist seen and heard with Charlie Parker at New York's Three Deuces in 1947 with the same man performing in Montreux, Switzerland some forty years later. Both his look and his sound had changed, making him unrecognizable to ...
Continue ReadingChick Corea: The Montreux Years
by Mike Jurkovic
Did Chick Corea ever disappoint? Did he ever fail to cast a sense of wonderment and community on any live performance? Did his mischievous hands ever land on a bad note? If so, it seems never happened at the Montreux Jazz Festival, where Corea spun his spell twenty-three times over the years, and certainly not on the fabulously curated The Montreux Years. Available in a host of configurations, the set blasts off with “Fingerprints" from 2001with Christian McBride ...
Continue ReadingChick Corea: The Montreux Years
by Doug Collette
If there is anything more ambitious than curating an extensive, comprehensive collection covering the history of an artist, it is collating selected works which vividly outline a particular timeline or theme. Chick Corea's The Montreux Years is a fine example of the latter; this seventh edition in the archive series devoted to the iconic festival not only reflects the late composer and pianist's technical skills, but also his eclectic stylistic tastes. And that is not to mention his fondness for ...
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