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Jazz Articles about Chick Corea

24
Album Review

Chick Corea: The Ultimate Adventure: You Can't Return to Forever

Read "The Ultimate Adventure: You Can't Return to Forever" reviewed by Marc Davis


The Beatles are gone. I know that. But I keep thinking if I buy just one more Paul McCartney CD, maybe the old magic will return. Maybe. But it never does. Paul McCartney is like that. You know how great he was with the Beatles. You even know how great some of his solo records were. And even though you know he'll never write another “Band on the Run," and surely he'll never write another “Sgt. ...

14
Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Ian Patterson


It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve Miller Band in March 1970. The initiative to stage Davis at the hallowed rock venue came from CBS President Clive Davis, no doubt with ...

10
Extended Analysis

Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Doug Collette


Intensely intoxicating as much as it is wholly hypnotic, Miles Davis Live at the Fillmore becomes increasingly so through the course of its four compact discs. More than doubling the playing time of the original four-sided vinyl release, The Bootleg Series Vol. 3 posits an argument the band(s) of this era were among the finest ever led by the man with the horn. If that sounds hyperbolic, it's difficult not to rhapsodize about this archive series in general ...

3
Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Maurizio Comandini


Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato da pochi mesi e il gruppo era in forma straordinaria, a cominciare dal leader. In realtà, questi concerti erano stati immediatamente ...

16
Live Review

Chick Corea At Town Hall

Read "Chick Corea At Town Hall" reviewed by Mike Perciaccante


Chick Corea Town Hall New York, NY April 10, 2014 With the coronation of rock's royalty taking place a mere six miles across town in Brooklyn at “The House That Jay Z Built" (The Barclays Center), one of jazz' princes took the stage at Manhattan's Town Hall. Chick Corea's solo piano performance was an intimate and spectacular evening comprised of stories, solo piano improvisations and his extraordinary versions of some of the best loved entries ...

27
Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by John Kelman


By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, ...

14
Extended Analysis

Miles Davis: In a Silent Way

Read "Miles Davis: In a Silent Way" reviewed by Nenad Georgievski


"Miles' audience isn't where it used to be but neither is his music" was used to market the new releases of Miles Davis' indefatigably changing music in the late 60's that caused seismic shifts in the world of jazz and completely had redirected it into new and fresh territories. In a career that stretched five decades Miles Davis did more than just become a star--this enigmatic 20th century icon fused an astonishing array of different musical styles, refused to be ...


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