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Jazz Articles about Charlotte Greve


About Charlotte Greve

4

Radio & Podcasts

Charlotte Greve: Everything She Loves, Under Her Own Name

Read "Charlotte Greve: Everything She Loves, Under Her Own Name" reviewed by Lawrence Peryer

by Lawrence Peryer

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Album Review

Webber/Morris Big Band: Unseparate

Read "Unseparate" reviewed by Angelo Leonardi

by Angelo Leonardi

Le sassofoniste Anna Webber e Angela Morris confermano le innovative concezioni orchestrali dimostrate in Both Are True (Greenleaf Music, 2020), con un disco ancor più avvincente, che s'impone tra i migliori dell'anno. L'organico registra pochissime variazioni (le più significativa sono l'ingresso della pianista Marta Sanchez al posto di Marc Hannaford e le assenze della vibrafonista Patricia Brennan e del trombonista Nick Grinder sostituiti rispettivamente da Yuhan Su e Zekkereya El-magharbel). L'organico è costituito dai migliori strumentisti operanti a New York ...

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8

Album Review

Angell & Crane: Angell & Crane

Read "Angell & Crane" reviewed by Dan McClenaghan

by Dan McClenaghan

Montreal-based artists Simon Angell and Tommy Crane make what they call “jazz-adjacent improvised music." Angell plays bass and guitars, along with synths. Crane crafts his sounds with drums and percussion, programming synths and a vibraphone. Mix in some vocalese by Sarah Rossy and alto sax and flute from Charlotte Greve and we have Angell & Crane, the debut album from the two leaders, culled from hours of taped sessions that have been curated, molded and pared down to an album's ...

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20

Album Review

The Choir Invisible with Charlotte Greve, Vinnie Sperrazza and Chris Tordini: Town of Two Faces

Read "Town of Two Faces" reviewed by Glenn Astarita

by Glenn Astarita

Infused with an inventive and organic zest, Town of Two Faces swings into the spotlight under the deft ensemble of Charlotte Greve on alto saxophone or voice, Vinnie Sperrazza on drums, Chris Tordini on acoustic bass. It is graced by a cameo from Fay Victor, a voice which paints jazz in bold uncharted colors, with her knack for reimagining the vocal weave in the jazz tapestry with her deep dive into a memorably melodic blues-and gospel-shaded piece, entitled “In Heaven." ...

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2

Album Review

Jacob Garchik: Clear Line

Read "Clear Line" reviewed by Dan Bilawsky

by Dan Bilawsky

As strange as it may sound, sometimes the best way to break free is to simply box yourself in. Limitations obviously cut off certain possibilities entirely, but they open the mind to so many others in the process. Composer (and trombonist) Jacob Garchik has long subscribed to that line of thinking and he takes it to bold heights on this, the most original, least derivative big band recording to arrive in ages. Basically throwing out the rule ...

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1

Radio & Podcasts

Charlotte Greve, Lynn Cassiers, Federica Michisanti & Camila Nebbia

Read "Charlotte Greve, Lynn Cassiers, Federica Michisanti & Camila Nebbia" reviewed by Maurice Hogue

by Maurice Hogue

These days no one should be surprised at the quantity of highly talented women instrumentalists active in the current jazz and creative music scene. They come from all over the globe, and this episode casts the spotlight on some with current new releases: New York-based German saxophonist Charlotte Greve (The Choir Invisible), Belgian singer and keyboardist Lynn Cassiers (Yun), Italian bassist Federica Michisanti (Jeux De Coleurs) and Argentinean saxophonist Camila Nebbia (Aura). Add Toronto's fine trumpeter Lina Allemano to this ...

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3

Album Review

Charlotte Greve / Vinnie Sperrazza / Chris Tordini: The Choir Invisible

Read "The Choir Invisible" reviewed by Dan McClenaghan

by Dan McClenaghan

The music on The Choir Invisible, presented by the musical equilateral triangle of saxophonist Charlotte Greve, drummer Vinnie Sperrazza and bassist Chris Tordini, presents the ear with a simple yet often intense beauty. Three strong sonic personalities exploring uncluttered territory. The trio, all of whom are busy members of the New York City jazz scene, formed their The Choir Invisible in 2017. This eponymous album is their first recording. When the subject of an alto sax, bass and ...

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