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Charlie Parker & Dizzy Gillespie: Bird And Diz

by Chris May
Charlie Parker played in some strange settings during his career--with a cowboy band in Hollywood, a Gypsy" string trio in a Manhattan restaurant, the street busker Moondog, and several klezmer bands--but such liaisons tended to be random, unrecorded encounters in clubs and restaurants. Aside from a 1945 session which included the novelty hipster, vocalist and guitarist Slim Gaillard and the New Orleans drummer Zutty Singleton, which was issued under Gaillard's name, bop's pre-eminent saxophonist preferred to record with carefully chosen, ...
Continue ReadingCharlie Parker's telegrams to Chan Parker, on hearing of the death of their daughter

by Bill Siegel
Chan, please help meDropping from the wires,a cry hangs in the air like a dustcloudabout the shoulders of the man aloneworking its way into the wrinkles of his coatthe cracks of his facefilling his jowls, bending his neck
Chan, please helpIn his head, he works over one wordtries it out on the lampposts, the hydrantsthe curbstonesLike last night's ...
Continue ReadingCharlie Parker: At Jirayr Zorthian's Ranch, July 14, 1952

by David Rickert
Jirayr Zorthian was a painter and sculptor whose large ranch was known for wild parties attended by hordes of intellectuals, artists and naked women frolicking about. Thus it's easy to see why Charlie Parker wound up there in 1952. This concert captures a moment that is mentioned in every serious Parker discography, but is only available now for the first time.
This session was not a formal concert performance, but rather an informal musical party, and thus featured ...
Continue ReadingCharlie Parker with Lennie Tristano: Charlie Parker with Lennie Tristano: Complete Recordings

by Greg Thomas
This recording, a fine addition to Charlie Parker's oeuvre, documents Lennie Tristano's extensions of the bebop idiom. Considered by some to be more of a cult figure with a small school of followers than a recognized major innovator of jazz, Tristano's contributions may now be viewed at in a better light. Parker's seminal place in the pantheon of jazz gods has long been established and rightfully so. Tristano himself once said, If Charlie Parker wanted to invoke plagiarism laws, he ...
Continue ReadingCharlie Parker: The Genius of & Blue Bird

by AAJ Staff
By P. Christopher Dowd
To approach the aesthetic history of jazz would unequivocally lead to Charlie Bird Parker. With the majority of musicians, we speak of their contributions to the musical lexicon in terms of what they added to the foundation. In the case of Charlie Parker, he didn't just contribute, he pulverized all that preceded him with his blinding-speed rhythm, phrasing and soloing. Parker, along with fellow luminaries Dizzy Gillespie, Miles Davis, Thelonious Monk and Bud Powell ushered in ...
Continue ReadingCharlie Parker: Liveology

by AAJ Staff
Back in the days of vinyl, I remember Everest as a reissue label that issued live Charlie Parker material in haphazard fashion, with little or no discographical information and muddy sound. Boris Rose airchecks were thrown in with tracks from Bird's 1950 Birdland session with Fats Navarro and Bud Powell, and it was often left to the listener to sort things out. But now, Empire Musicwerks has acquired the Everest catalogue, and with this notable compilation, the label has begun ...
Continue ReadingWhy Bird Still Lives

by AAJ Staff
Charlie Parker. Charlie Parker has been discussed over and over, at least until recently. The Wynton-Crouch Clique has successfully, and I think, usefully, revived discussion and analysis of pre-bop geniuses Armstrong and Ellington. And on the post- bop side, you find lively exchanges regarding Miles and Coltrane. I don't think we should wait until Bird's centennial in 2020 to take a fresh look at his music. My contention is that the jazz world has yet to fully come to grips ...
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