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Jazz Articles about Carmen Staaf
Nicole Zuraitis: All Wandering Hearts
by Geno Thackara
Nicole Zuraitis has a heart full of soul and a voice full of sunshine. She's got a mix of things on her mind with her fourth album, everyday themes and weighty matters alike, and yet they ultimately come out sounding exuberant in her hands. The fundamental optimism is one key asset of All Wandering Hearts, even if her variety of jazzy coffee-shop balladry is no less eloquent in the spots when things get more somber. The too-spirited-for-AOR “Make ...
Continue ReadingThana Alexa: ONA
by Doug Collette
A departure from Thana Alexa's first album Ode to Heroes (Harmonia Mundi/Jazz Village, 2015), ONA is also rooted in jazz, but it showcases Alexa's use of her voice as both a lyrical and experimental instrument. Commencing immediately on the title tune, this mostly original material features arrangements in various combinations of atmospheric, electronic soundscapes and exotic instrumental textures, complementing a voice which enchants as often through its feather-light air as its full-throated tones. Co-produced with master drummer Antonio Sanchez--with whom ...
Continue ReadingDana Sandler: I Never Saw Another Butterfly
by C. Michael Bailey
Tender is that memory nearly lost. Theresienstadt was a concentration camp and ghetto established by the German Schutzstaffel during World War II in the Bohemian fortress town of Terezín. Theresienstadt had two purposes: it was a coordinating center ahead of the extermination camps, and an erstwhile retirement community for elderly and prominent Jews intended to mislead their respective communities about German intentions. Camp conditions were engineered to hasten the death of its prisoners through inadequate diet and overwork, while the ...
Continue ReadingThana Alexa: ONA
by Geno Thackara
Thana Alexa's voice contains a world of sound, and that is without even mentioning the globe-spanning musical trappings which surround it. Hearing her is like watching a thunderstorm or maybe a wild hawk in flight. She doesn't just sing but uses her voice as an expressive precision instrument, in much the same way all the tones and electronics here are sculpted into an unclassifiably genre-defying whole. Her rich contralto can also be honey-smooth and soothing in the (relatively) rare calm ...
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