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George Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his artistry. As he explained in an interview with Rob Shepherd (2024): “I try not to be close-minded but instead try to expand my interest ...
Continue ReadingGeorge Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live at the Antibes Jazz Festival (1964); My Funny Valentine: In Concert (1965); and “Four and More:" In Concert (1966), all on Columbia Records. Add ...
Continue ReadingAda Rovatti: The Hidden World Of Piloo
by Katchie Cartwright
Ada Rovatti's curiously titled album, The Hidden World of Piloo, has a tale attached (and a tail). Piloo is an affectionate name Rovatti's father has called her since childhood, after a “naughty" cat in a favorite children's book. She adopted it for her label as well (Piloo Records). Rovatti grew up in Mortara, Italy, outside of Milan, in an unusual household. Her mother was a semi-pro softball player and her dad a geologist, professional hunter and purveyor of cars. The ...
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