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Jazz Articles about Brian Marsella
Marshall Allen's Ghost Horizons: Live in Philadelphia
by Mark Corroto
In 2025, the Collegium Cardinalium, or College of Cardinals--a body formed in the Middle Ages--convened a conclave in Rome to elect a new Pope for the Catholic Church. Nearly five centuries before the inception of such conclaves, Tibetan Buddhists established their own process of succession by searching for the reincarnation of the Dalai Lama, often discovered in the form of a child. These spiritual traditions of succession are vital for preserving the identity, rituals and philosophies of their institutions. Each ...
Continue ReadingBeyond Genre: Brian Marsella’s Expanding Musical Universe
by Nenad Georgievski
Brian Marsella is a pianist and composer whose work defies easy categorization. Whether leading his genre-blurring trio with bassist Trevor Dunn and drummer Kenny Wollesen , or collaborating with avant-garde luminary John Zorn, Marsella brings a rare blend of technical brilliance and emotional depth to every performance. Born in Philadelphia and based in New York since 1998, Marsella has carved out a unique space in the jazz and experimental music scenes. His projects span a broad creative spectrum, from the ...
Continue ReadingBrian Marsella Trio at International Jazz Day Celebration, Macedonia
by Nenad Georgievski
Brian Marsella Macedonian National TheaterInternational Jazz DaySkopje, Macedonia April 30, 2025 On a quiet spring evening in Skopje, the Brian Marsella Trio took the stage at the International Jazz Day Celebration and unfolded a concert that was anything but quiet. It was a performance rich with storytelling, abstract soundscapes and tight interplay, a vivid journey told through seven pieces that showcased the trio's chemistry, playfulness and emotional depth. The night opened with ...
Continue ReadingBrian Marsella / Sae Hashimoto and Miguel Zenon / Matt Mitchell / Miles Okazaki at Miller Theatre
by Paul Reynolds
Brian Marsella / Sae Hashimoto and Miguel Zenon / Matt Mitchell / Miles Okazaki Miller Theatre New York, NY June 9 and June 27, 2023 Underappreciated--perhaps because it's on the Columbia University campus in New York's upper Upper West Side--Miller Theater's innovative music programming favors contemporary classical music with a splash of jazz. But it's rare for its programs to straddle the two genres as much as did the two last 2023 installments of ...
Continue ReadingThe Nels Cline Singers: Share the Wealth
by Vincenzo Roggero
L'idea era di registrare delle lunghe improvvisazioni per poi selezionare frammenti, operare un copia-incolla di davisiana memoria e dar vita ad una sorta di mosaico/collage psichedelico. L'ascolto del materiale registrato, la percezione della magia sprigionata dalle sessions e della unicità dei brani hanno cambiato le carte in tavola e suggerito di pubblicare integralmente, senza sforbiciate, quello che è diventato Share the Wealth. Ossia--nella versione doppio LP e CD (oltre ottanta minuti) registrato in soli due giorni dalla versione allargata di ...
Continue ReadingThe Nels Cline Singers: Share The Wealth
by Mark Sullivan
Guitarist Nels Cline has led the Nels Cline Singers since 2002. While they have sometimes had guest performers on their recordings, the core band has been a trio of Cline, drummer Scott Amendola and bassist Trevor Dunn (originally Devin Hoff). This album expands the group to a sextet with the addition of saxophonist Skerik, keyboardist Brian Marsella and percussionist Cyro Baptista. The experimental ante was further upped by the fact that they had never before played together in this combination, ...
Continue ReadingThe Nels Cline Singers: Share The Wealth
by Mike Jurkovic
A work of pummeling beauty, exhaustion and exhilaration await at the end of genre rogue guitarist Nels Cline's upheaval Share the Wealth, eighty minutes of magical, maniacal, free jam composition that, in perhaps a few more years down the line--if the line makes it past Election Day--we'll argue stands right up there with such and such album of equal fire and fury. Time, to which we've become too nervously accustomed, is tense, and everyone's cranked to ten or ...
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