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Jazz Articles about Brad Mehldau

193
Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by John Kelman


Grist for what seems like an endless flow of recordings, The Great American Songbook has, ultimately, become as much a crutch as it is an inspiration. There's no denying the staying power of music that's near-Jungian in its collective familiarity, but if an artist is simply running down the tunes, à la Real Book--head, solo, head--the music too easily becomes nothing more than a tired retread, a kind of whitewashing that, rather than moving jazz forward, stops it in its ...

517
Extended Analysis

Brad Mehldau: Live in Marciac

Read "Brad Mehldau: Live in Marciac" reviewed by John Kelman


Brad Mehldau Live in Marciac Nonesuch Records2011 If there's any (relatively) young pianist ready to take the torch from Keith Jarrett when it comes to solo performance, it's Brad Mehldau. In the space of (again, relatively) a few short years, from his mid-1990s emergence with saxophonist Joshua Redman through his early--and, some might suggest, rather precocious, were they not already so well-formed and mature--Art of the Trio series, the 40 year-old pianist has emerged ...

297
Live Review

Brad Mehldau Highway Rider Live at Carnegie Hall

Read "Brad Mehldau Highway Rider Live at Carnegie Hall" reviewed by David Miller


Brad Mehldau / The St. Paul Chamber OrchestraCarnegie HallNew York, New YorkNovember 9, 2010Zankel Hall was rife with anticipation before pianist Brad Mehldau took the stage, along with the St. Paul Chamber Orchestra, to debut his recently released Highway Rider (Nonesuch, 2010) live in New York, and rightly so. Highway Rider is Mehldau's first formal foray into the world of orchestral jazz, and to read the self-composed notes in the playbill, it seemed the pianist ...

327
Album Review

Brad Mehldau: Highway Rider

Read "Highway Rider" reviewed by Karl Ackermann


As a classically trained teen, Brad Mehldau was introduced to the music of Keith Jarrett setting him on the road to jazz. He did not abandon the classical genre and those influences were powerfully present in his first solo release Elegiac Cycle (1999). He has since written pieces for the Orchestre National d'Île-de-France and Carnegie Hall commissions for Anne Sofie von Otter and Renée Fleming respectively. Highway Rider is a two disc showcase of Mehldau's growth as both a composer ...

742
Live Review

Brad Mehldau Trio: Kingston, Canada April 11, 2010

Read "Brad Mehldau Trio: Kingston, Canada April 11, 2010" reviewed by John Kelman


Brad Mehldau TrioGrand TheatreKingston, CanadaApril 11, 2010

When a trio has been together as long as pianist Brad Mehldau's--the current incarnation, with original bassist Larry Grenadier and relative newcomer (but no stranger to either of his band mates), drummer Jeff Ballard, has been together for over five years, first heard on Day is Done (Nonesuch, 2005)--it's hard to imagine any gig being a bad gig. But time and place can still sometimes coalesce to create ...

1,040
Extended Analysis

Highway Rider

Read "Highway Rider" reviewed by John Kelman


For a pianist who not only demonstrated remarkable promise, but actually began delivering on it at a very early stage in his career with what would ultimately become his five-part Art of the Trio (Warner Bros.) series, Brad Mehldau's side projects have--with the exception of the solo Live in Tokyo (Nonesuch, 2004)--met with mixed reactions. Perhaps it's because of his emergence as one of modern jazz's most distinctive and popular interpreters of both contemporary song and standard material in a ...

896
Live Review

Brad Mehldau at the Village Vanguard

Read "Brad Mehldau at the Village Vanguard" reviewed by Eric Benson


Brad Mehldau Trio Village Vanguard New York, NY May 5 & 9, 2009 No major jazz artist of the last 25 years has been more closely associated with a single venue than pianist Brad Mehldau with the Village Vanguard. Of the 11 trio albums he's released since signing with Warner Bros in 1994, four have been recorded live at jazz's most hallowed club. Pianist Bill Evans—who had a similarly synergistic relationship with the Vanguard ...


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