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Bobby Naughton Trio: Live at Charlie's Tap
by Mark Corroto
Today, a number of drummers, including Ches Smith and Kenny Wollesen, also double on vibraphone, underscoring the instrument's fundamentally percussive nature. In the hands of Bobby Naughton, however, the vibraphone functioned as something more expansive: a reimagined piano, capable of both harmonic depth and rhythmic propulsion. Naughton began studying piano at the age of eight, performing classical repertoire before moving on to rock 'n' roll and the organ. It was only after encountering free jazz that he migrated ...
Continue ReadingBobby Naughton: Solo Vibraphone Hartford
by Mark Corroto
Nearly all adventurous jazz connoisseurs are familiar with Joe McPhee's landmark recording Tenor (Hat Hut Records, 1977), the release that put Werner X. Uehlinger's label on the map. Certainly its rerelease twenty-two years later as Tenor & Fallen Angels (hatOLOGY, 2000} accomplished that task. Recorded in a cabin in Switzerland on a cassette recorder, McPhee's essence and genius were laid bare. The same can be said of a 1978 recording by vibraphonist Bobby Naughton, except this one took more than ...
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