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Jazz Articles about Bill Frisell

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Album Review

Bill Frisell, Kit Downes, Andrew Cyrille: Breaking the Shell

Read "Breaking the Shell" reviewed by Alberto Bazzurro


Ogni tanto Bill Frisell si concede qualche scappatella fuori dai patrii confini (che già per loro conto variano, vedi il recente Orchestras). In questo nuovo, singolare lavoro, uscito in realtà a oltre due anni dalla sua incisione (maggio 2022), il grande chitarrista recupera scorie (nell'accezione più alta del termine) di quel sano sperimentalismo che, all'interno della sua produzione abituale (più o meno, come si diceva), non gli fa sostanzialmente più compagnia da tempo. Intendiamoci: l'ex ragazzo di Baltimora ...

14
Six Picks

October 2024: Vinyl Special

Read "October 2024: Vinyl Special" reviewed by Pat Youngspiel


Each of the following six recordings has been issued in a state-of-the-art vinyl pressing that does justice to the quality of the music it contains. In an age where the physical medium is in radical decline, these editions can be considered reminders of the additional value a work of art is given, when one can hold it in their hands, also admiring the editorial work that goes into its creation. There are no re-issues among these albums, but exclusively freshly ...

18
Album Review

Bill Frisell / Andrew Cyrille / Kit Downes: Breaking the Shell

Read "Breaking the Shell" reviewed by Mike Jurkovic


When in as unique a setting as St. Luke in the Fields, the English village-like church on Hudson Street in Greenwich Village, it only figures that guitarist Bill Frisell, pipe organist Kit Downes and drummer Andrew Cyrille would rise to the distinct occasion and create something equally anomalous. A grand host of noir sci-fi themes and motifs run through Breaking the Shell. And it is awesome to hear. The trio is in an active, real-time thought experiment: what music will emerge, ...

8
Album Review

Eliane Elias: Time And Again

Read "Time And Again" reviewed by Edward Blanco


Internationally-renowned Brazilian jazz pianist and vocalist Eliane Elias presents her third recording on the Candid label--and the 32nd release of her long and distinguished career--on the innovative and creative Time and Again, a collection of eight new original sambas, which feature her piano, keyboards and singing in both English and Portuguese. As Mark Wexler, head of Candid Records states, “With each recording, Elaine proves she has no boundaries and showcases her mastery of song, musicianship and vocalese. She is an ...

8
Album Review

Chantal Acda: Silently Held

Read "Silently Held" reviewed by Neil Duggan


Somewhere near the point where jazz, Americana and alt-folk meet, Belgian singer-songwriter Chantal Acda can be found. She has carved out a distinctive sound using a restricted and intimate sonic landscape crafted to enhance her vocal delivery. Her voice is soft and breathy with a fragile edge, and she delivers her lyrics with an intense focus. She has recorded solo and with differing groups of musicians on her previous albums. For Silently Held, she is joined by some outstanding players ...

19
Play This!

Bill Frisell: Jimmy Carter Pts 1 & 2

Read "Bill Frisell: Jimmy Carter Pts 1 & 2" reviewed by Mike Jacobs


Bill Frisell's career arc has been extraordinary. From edgy, effect-laden, avant-jazz poster guitarist to sublime jazz interpreter of folk and Americana (and lots in between), it's been quite a ride for those who have paid attention. “Jimmy Carter Pts 1 & 2" from This Land (Nonesuch, 1994) occupies a special period in Frisell's stylistic journey where the early Frisellian attributes are still in plain sight while his seeming quest to embody the quintessential American musical amalgam is at its most ...

10
Live Review

Bill Frisell Trio at Tivoli Vredenburg in Utrecht

Read "Bill Frisell Trio at Tivoli Vredenburg in Utrecht" reviewed by Nenad Georgievski


Bill Frisell Trio TivoliVredenburg Utrecht, Netherlands November 14, 2023 Hearing Bill Frisell's Trio at Tivoli Vredenburg in Utrecht was a mesmerizing experience on a rainy night, transcending the ordinary boundaries of musical performance. The trio, comprising Bill Frisell at the helm, drummer Rudy Royston to his left, and bassist Thomas Morgan to his right, delivered an uninterrupted 90-minute set that can only be described as a masterclass in empathy, interplay and all aspects of musicality. ...


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