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Jazz Articles about Bill Bruford


About Bill Bruford

326

Album Review

Bill Bruford / Tim Garland: Earthworks Underground Orchestra

Read "Earthworks Underground Orchestra" reviewed by Sean Patrick Fitzell


Bill Bruford forged his reputation as a relentless pioneer striving to advance the art of percussion. Using odd times and improvisation in rock or exploring with electronic drums, he sought to challenge both his self-expression and the drummer's role. Since 1986, his primary outlet as a composer and bandleader has been Earthworks. What began as an electro-acoustic quartet has become strictly acoustic, bringing him back to his early love: jazz. To celebrate this twenty-year anniversary, Bruford and ...

988

Film Review

Bruford: Rock Goes to College

Read "Bruford: Rock Goes to College" reviewed by John Kelman


Bruford Rock Goes to College Winterfold Records 2006 Charting the career of drummer Bill Bruford, one has to sometimes wonder exactly what was he thinking? On the cusp of major commercial success on the heels of Close to the Edge (Atlantic, 1972), Bruford chose to leave Yes to join King Crimson--a band with no small cachet, but at the same time never possessing the commercial appeal of Yes in terms of record sales. But ...

987

Extended Analysis

The Great Deceiver (Live 1973-1974)

Read "The Great Deceiver (Live 1973-1974)" reviewed by John Kelman


Despite bassist/stick player Tony Levin stepping in to replace departing touch guitarist Trey Gunn, the incarnation of King Crimson that released The ConstruKction Of Light (Virgin, 2000) and considerably stronger The Power To Believe (Sanctuary, 2003) seems to be, at the very least, on hiatus. While Crimson's only remaining original member, guitarist Robert Fripp, has reconvened with 26-year Crimson veteran guitarist/drummer Adrian Belew for ProjKct Six, the future of Crimson proper is uncertain. This is, consequently, as ...

154

Live Review

Hua Hin Jazz Festival 2006

Read "Hua Hin Jazz Festival 2006" reviewed by Ian Patterson


Mahan Mirarab, guitar (Iran) For me, John Coltrane showed the world that jazz belongs to everyone, transcending cultural and geographic boundaries. He approached music with an open mind and an open heart, drawing inspiration from musical traditions far beyond the American jazz canon. His curiosity led him to explore the blowing techniques and expressive qualities of wind instruments from Eastern cultures, incorporating new sounds and ideas into his artistic language. By embracing different musical traditions so deeply and ...

568

Album Review

Bill Bruford / Tim Garland: Earthworks Underground Orchestra

Read "Earthworks Underground Orchestra" reviewed by John Kelman


Although jazz has left behind its America-centricity and become a more international language, a mysterious chasm still exists between the American and UK jazz scenes. For every artist like Kenny Wheeler who has achieved American recognition, a dozen others have not. But with Earthworks Underground Orchestra, drummer Bill Bruford and woodwind multi-instrumentalist Tim Garland narrow the gap, proving that swing is more than a defined rhythm--it's a feel, with an expanding definition.

Bruford's 1980s electro-acoustic Earthworks quartet began a gradual ...

781

Extended Analysis

The 21st Century Guide to King Crimson Volume Two: 1981-2003

Read "The 21st Century Guide to King Crimson Volume Two: 1981-2003" reviewed by John Kelman


While Robert Fripp—erstwhile leader and only remaining member of the group that literally shook the foundations of the rock world in 1969 with In the Court of the Crimson King (Discipline Global Mobile)— rankles at those who call the continually evolving band King Crimson a progressive rock band, what band better fits the term progressive? Merriam-Webster defines the word progressive as: “making use of or interested in new ideas, findings, or opportunities," and “moving forward or onward." ...

506

Multiple Reviews

Bill Bruford: The Bruford Tapes & Gradually Going Tornado

Read "Bill Bruford: The Bruford Tapes & Gradually Going Tornado" reviewed by John Kelman


Part 1 | Part 2Drummer Bill Bruford may be best-known to some as the meticulous yet ever-grooving drummer behind classic Yes and a number of King Crimson line-ups, but it's been within his own body of work as a leader where he's shown the most growth. More than just a timekeeper with an ability to subdivide complex meters in ways that manage to feel remarkably natural; his own career has exhibited a single-mindedness, a sense of purpose that ...


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