Jazz Articles about Bill Bruford

Pianocircus featuring Bill Bruford: Skin and Wire

by John Kelman
September 2, 2009

For his final release of “new" music, percussionist Bill Bruford collaborates with Pianocircus—an all-keyboard ensemble best-known for its unique coverage of largely contemporary classical music, fitting somewhere between Steve Reich and Phillip Glass' systems music and the avante leanings of Estonian Erkki-Sven Tüür and David Lang. With four of Pianocircus' six members alongside Bruford and bass guitarist Julian Crampton, Skin and Wire features music by Colin Riley, who occupies similar territory, but adds elements of electronics and ambient music to ...

Bill Bruford: The Summerfold and Winterfold Collections

by Phillip Woolever
June 16, 2009

Drummer Bill Bruford announced his retirement from live performance in March 2009, and coincident with the release of his autobiography, Bill Bruford: The Autobiography (Jawbone Press, 2009), he has provided a treasure of remarkable composition and improvisation with these intriguing time-capsule tidbits. Another name for the collections, which chronicle the majority of Bruford's musical exploits from 1978 through 2008, could be “Seasons of Excellence." Bruford first found fame in the early 1970s with Yes, and soon afterwards ...

Bill Bruford: The Autobiography

by John Kelman
March 2, 2009

The Autobiography Bill Bruford Trade Paperback; 352 pages ISBN: 978-1-906002-23-7 Jawbone Press 2009 “Veteran drummer Bill Bruford Retires From Public Performance“ the AAJ news item announced on January 26, 2009. At progressive rock boards like Progressive Ears it was enough to cause considerable consternation amongst fans who date back to Bruford's early days with Yes and King Crimson, and who have stuck with him through many subsequent Crimson incarnations, two versions of his ...

Bill Bruford Radio Interview

by Chris Comer
March 22, 2008

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Chris Comer has a candid conversation with jazz-rock drummer Bill Bruford in the spring of 2001. Bill Bruford played in progressive rock juggernauts Yes and King Crimson and fronts his own British jazz group Earthworks. Chris and Bill discuss the continuing progression of the Earthworks group and the British jazz scene, his status with King Crimson and frank comments about why he quit Yes. Of special note is a discussion of Bruford's drum-duet B'BOOM with ...

Bill Bruford: Earthly Endeavors, Heavenly Pursuits

by Ian Patterson
July 10, 2007

For twenty years drummer Bill Bruford has been the engine of Earthworks, one of Britain's most inventive and original jazz bands. Earthworks slowly revolving door has, over the years, seen the coming and going of some of Britain's finest young jazz talent, from keyboardist Django Bates and saxophonist Iain Ballamy to ex-Chick Corea sideman and current reed/flute maestro Tim Garland, and current pianist Gwilym Simcock. The fostering of such youthful talent has brought comparisons between Bruford's Earthworks and Art Blakey's ...

Bill Bruford's Earthworks: Video Anthologies Vol. 1 and Vol. 2

by John Kelman
May 29, 2007

Since forming his two record labels--Winterfold (to deal with solo efforts released prior to 1987, when he formed the first of his more jazz-centric Earthworks groups) and Summerfold (to handle everything that's happened since that career watershed)--drummer Bill Bruford has reissued, in remastered (and, in some cases, expanded) form his entire back catalog as a leader. He's also released Rock Goes to College (Winterfold, 2006), a short but powerful DVD from a 1979 BBC broadcast (an audio version of that ...

Bruford: Rock Goes to College

by John Kelman
May 7, 2007

The DVD release of Rock Goes to College (Winterfold, 2006), by drummer Bill Bruford's late-1970s band Bruford, was greeted with considerable excitement. Featuring Hatfield and the North/National Health keyboardist Dave Stewart and über-bassist Jeff Berlin, the group only played a couple of live dates with original guitarist Allan Holdsworth, who left shortly afterwards and was replaced by “The Unknown John Clarke. One of those performances was recorded by the BBC for television broadcast and, while it's a scant 42-minutes long, ...