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Jazz Articles about Bill Anschell

6
Album Review

Dmitri Matheny: Cascadia

Read "Cascadia" reviewed by Dan McClenaghan


Flugelhornist Dmitri Matheny and his quintet play perfectly on Cascadia. There is no surprise there—with a rhythm section of pianist Bill Anschell, bassist Phil Sparks and drummer Mark Ivester backing the front line of Matheny and saxophonist Charles McNeil— perfection is the expectation. Matheny grew up in Georgia and Arizona, spent a formative and near-obligatory stint in New York City, and played for a time in the band of pianist Amina Figarova—another jazz artist who knows something about ...

11
Profile

20 Seattle Jazz Musicians You Should Know: Bill Anschell

Read "20 Seattle Jazz Musicians You Should Know: Bill Anschell" reviewed by Paul Rauch


The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the south. It has produced such historical jazz icons as Quincy Jones and Ernestine Anderson. In many instances it has acted as a temporary repose ...

3
Album Review

Bill Anschell: Shifting Standards

Read "Shifting Standards" reviewed by Paul Rauch


Seattle based pianist Bill Anschell has created a tremendous body of work over the the past 30 years, as a composer, musical director, and pianist. He returned to Seattle in 2002 after 25 years abroad and formed a relationship with Origin Records, releasing more than a dozen records both as a leader and co-leader. Whether composing and performing original pieces, or interpreting standards ranging from Cole Porter to Lennon/McCartney, Anschell has consistently upheld a rare standard of excellence.

21
Interview

Bill Anschell: Curiosity and Invention

Read "Bill Anschell: Curiosity and Invention" reviewed by Paul Rauch


Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work in his standards trio highlights his musical empathy in deep, spontaneous conversation with bassist Jeff Johnson and drummer D'Vonne Lewis, and paints a more ...

40
Album Review

Bill Anschell: Rumbler

Read "Rumbler" reviewed by Paul Rauch


Seattle's eclectic jazz scene has produced a long line of significant voices that have impacted the music on a national and international level. Bill Anschell, as a pianist and composer certainly falls into that category that has produced the likes of Ray Charles, Quincy Jones, Ernestine Anderson, and presently, trumpeter Thomas Marriott. His new Origin Records CD Rumbler, represents his ninth album as a leader, and his first featuring original compositions and arrangements since More to the Ear Than Meets ...

52
Just For Fun

The Desmond Awards: Top Five Funniest People in Jazz

Read "The Desmond Awards: Top Five Funniest People in Jazz" reviewed by Michael Ricci


Despite that serious expression you often see on a jazz musician's face, the truth is, laughter gets them through the day. The late, great pianist Horace Silver knew it. If you didn't see it in his impish smile, you could hear it in his music. Especially in his last studio album, which knowingly proclaimed Jazz Has A Sense of Humor (Verve, 1999). We've gotten to know lots of musicians over the years, and though we marvel ...

1,773
Bill Anschell's Notes from the Lobby

Jazz Jam Sessions: A First-Timer's Guide

Read "Jazz Jam Sessions:  A First-Timer's Guide" reviewed by Bill Anschell


Ready to check out your first jam session? There's much more to jazz music--and to the “session" in particular--than meets the eye. This primer will help you better appreciate the intense psychodrama being played out on stage. Special “Insider's Hints" ("IH“) highlighted throughout the text will help you make the most of your maiden voyage. IH: Although your food and drink dollars are the lifeblood of the jazz economy, remember that to the musicians, you're irrelevant. Don't make ...


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