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Jazz Articles about Benny Benack III
About Benny Benack III
Instrument: Trumpet and vocals
Benny Benack III: Third Time's The Charm
by Dan Bilawsky
Though the title of this third album from multihyphenate Benny Benack III might imply misfires with his first two go-rounds, the truth really runs contrary to that line of reasoning. One of a Kind (BB3, 2017), while flying under the radar, introduced some listeners to a talent far too large to be contained; and A Lot of Livin' To Do (La Reserve, 2020) proved to be a strong follow-up statement, earning greater attention and acclaim for a dashing leading man ...
Continue ReadingAlexander Claffy: Good Spirits
by Jack Bowers
Bassist Alexander Claffy's quintet dashes from the starting gate on Good Spirits with a fiery reading of McCoy Tyner's propulsive “Inner Glimpse," setting the tone for a bright and animated session whose spirit is undeniably good. The album was recorded “live" (no audience) at GB's Juke Joint in New York City “at the height of the [coronavirus] pandemic" in February 2021. Claffy's front line consists of trumpeter Benny Benack III and tenor saxophonist Nicole Glover; his teammates ...
Continue ReadingBenny Benack III: Presentation matters
by Leo Sidran
Benny Benack III didn't necessarily start out thinking he would be a hipster crooner. He spent his 10,000 hours dealing with the trumpet, and he's still dealing with it. He tells me that he brings it with him everywhere--even on dates. He says, “Freddie Hubbard, Clifford Brown, Roy Hargrove, and Clark Terry were my early idols and everything about my musical identity is steeped in the trumpet vocabulary." Benny grew up in Pittsburgh, the third in a trilogy ...
Continue ReadingMichael Stephenson: Meets The Alexander Claffy Trio
by Pierre Giroux
Record executive and tenor saxophonist Cory Weeds readily acknowledges that growing up in Canada has insulated him from the racial issues prevalent in the United States. As a result, he is using the resources of Cellar Music to help address some of these inequities and record African-American musicians who might not ordinarily have such an opportunity. Vocalist and tenor saxophonist Michael Stephenson falls into this category with this release produced by trumpeter Jeremy Pelt. As envisaged ...
Continue ReadingUlysses Owens Jr. Big Band: Soul Conversations
by Jack Bowers
Drummer Ulysses Owens Jr.'s Big Band comes out swinging on its debut recording, Soul Conversations, thundering through Michael Dease's incendiary arrangement of the Dizzy Gillespie/John Lewis flame-thrower, “Two Bass Hit." For more such heat, however, the listener must move forward to Track 5, John Coltrane's impulsive “Giant Steps," thence to Track 9 for Charles Turner III's earnest homage to “Harlem Harlem Harlem," on which he doubles as vocalist. That's not to say that everything in between is ...
Continue ReadingSteven Feifke Big Band: Kinetic
by Jack Bowers
Jazz connoisseurs who lean toward big bands that swing as earnestly and often as the renowned architects of the epic big-band era should find plenty to cheer about on Kinetic, the debut recording by New York-based pianist, composer and arranger Steven Feifke's audacious and fiery ensemble. This is a band that fires on all cylinders—but it couldn't even leave the garage unless Feifke supplied the fuel. With one exception (noted below), Feifke's intense and high-powered charts neatly pave the way, ...
Continue ReadingSteven Feifke Big Band: Kinetic
by Angelo Leonardi
Assimilare la tradizione per poi creare cose originali. È questo il percorso che hanno seguito e continuano a seguire i musicisti jazz, in forme e approfondimenti diversi. A 30 anni esatti il pianista Steven Feifke è ancora al primo passo ma in questo scintillante debutto orchestrale dimostra di avere tutte le carte in regola per sviluppare percorsi originali. Kinetic è infatti un esempio del miglior modern mainstream orchestrale, elaborato sulle lezioni di Thad Jones e Mel Lewis, ...
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