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Jazz Articles about Asaf Sirkis

565
Album Review

Asaf Sirkis Trio: The Monk

Read "The Monk" reviewed by John Kelman


After exploring an organ/guitar/drums encounter of the most unusual kind with The Inner Noise on albums including We Are Falling (Konnex, 2005) and The Song Within (SAM, 2007), Israeli-born, British-resident drummer Asaf Sirkis turns, on the surface, to a more conventional line-up with The Monk. Still, Sirkis' writing, and a trio that eschews orthodoxy, keeps The Monk in line with the distinctive voice of Inner Noise. “Stoned Bird" opens the disc with harmonic ambiguity, driven by Greek guitarist ...

351
Album Review

Asaf Sirkis & The Inner Noise: The Song Within

Read "The Song Within" reviewed by Troy Collins


UK-based, Israeli-born drummer Asaf Sirkis has maintained his current trio, The Inner Noise, with church organist/keyboardist Steve Lodder and guitarist Mike Outram, since 2002. The Song Within is their third recording together.

Inspired in part by the organ music of composer Oliver Messiaen and Maurice Durufle, Sirkis' writing resonates with a rich spiritual lyricism that rises to levels of kinetic fury commonly embraced by fusion ensembles.

Drawing from classic jazz fusion innovators like guitarist ...

441
Album Review

Asaf Sirkis & The Inner Noise: The Song Within

Read "The Song Within" reviewed by John Kelman


If Olivier Messiaen had written music with a pulse, it might have sounded something like Asaf Sirkis & The Inner Noise. The Israeli-born, UK-based drummer has been honing a personal vision with this trio for over five years, and The Song Within is the group's best disc yet. Sirkis has retained a consistent line-up--church organist/keyboardist Steve Lodder and guitarist Mike Outram--from inception (a rare feat in itself), and this third release further solidifies its already distinctive approach. This ...

167
Album Review

Asaf Sirkis & The Inner Noise: We Are Falling

Read "We Are Falling" reviewed by John Kelman


Israeli ex-pat Asaf Sirkis has been gradually insinuating himself into the UK scene since moving to London in 1999. His most visible work to date has been with the controversial saxophonist Gilad Atzmon's Oriental House Ensemble where, in addition to playing drums, he's been able to take advantage of his background in ethnic percussion instruments. His broad orchestral approach to kit and hand percussion may, however, be best heard on woodwind multi-instrumentalist Tim Garland's sweeping and ambitious If the Sea ...


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