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Jazz Articles about Art Farmer

5
Album Review

Ron Carter & Art Farmer: Live at Sweet Basil

Read "Live at Sweet Basil" reviewed by Scott Gudell


If one wanted to capture a 'who's who' snapshot of the jazz icons of the mid-'70s, into the '80s and beyond, one of the best ways to start was to see if they had added their name to the list of artists who recorded and/or released a 'Live at Sweet Basil' collection. The New York City club debuted as a restaurant in 1974 and, within a few years, artists including Art Blakey, Gil Evans, Cecil Taylor, McCoy Tyner, Mal Waldron ...

22
Album Review

Art Farmer: Portrait of Art Farmer

Read "Portrait of Art Farmer" reviewed by Richard J Salvucci


When a recording that is over six decades old sets a listener to thinking many different things, it is clearly something special. Art Farmer was something special. With a bump or two along the way, virtually everyone--except perhaps Art--knew it too. He and his twin brother, bassist Addison Farmer, began their careers in Los Angeles in the '40s, where the Central Avenue bop scene was an especially vibrant and creative one. As if total immersion there was not enough, Art ...

3
Play This!

Art Farmer: Work of Art

Read "Art  Farmer: Work of Art" reviewed by Jon Block


My favorite (jazz) album is The Art Farmer Septet (1956 Prestige PRLP 7031 of 1953-54 sessions previously released on 10" disks). It features the arrangements and compositions of Art Farmer, Gigi Gryce and Quincy Jones. It still makes me move and groove, from the first clave click on the steaming hot Afro-Cuban “Mau Mau" all the way through to Gryce's equally toe-tapping “Tiajuana," the playing is absolutely stellar. In addition to Art, Quincy and Gigi, the album offers a rich ...

11
Reassessing

Dial "S" for Sonny

Read "Dial "S" for Sonny" reviewed by C. Michael Bailey


Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz piano that places both Clark and Hope conceptually and stylistically beyond Powell. Clark was born in Georgia and raised outside of Pittsburgh. ...

24
Building a Jazz Library

The Ten Most Essential Art Farmer Albums

Read "The Ten Most Essential Art Farmer Albums" reviewed by Peter J. Hoetjes


Bassist Keter Betts, who played with Art Farmer briefly during the 1970s, described him best: “He was a gentleman's trumpet player, not a rebel trumpet player." At 25 years of age, Farmer was given the opportunity to travel Europe with Lionel Hampton's jazz band. He had spent the past few years wandering Los Angeles as a struggling musician with Dizzy Gillespie and Charlie Parker, and the chance for adventure was a welcome one. Upon his return to the ...

7
Interview

Remembering Art Farmer

Read "Remembering Art Farmer" reviewed by Lazaro Vega


This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was originally broadcast at the time on Blue Lake Public Radio; portions of this interview appeared in an advance article published by the Grand Rapids Press. Lazaro Vega: How long is this tour in the U.S.? Art Farmer: My tour is going until the 31st of October, and then ...

8
Album Review

Sonny Clark: Dial "S" For Sonny

Read "Dial "S" For Sonny" reviewed by Greg Simmons


Original copies of Blue Note 1570--Dial “S" For Sonny--are among the rarer Blue Note records, often changing hands for thousands of dollars for even a mediocre copy. That's an awful lot of scratch for a fifty-six year old piece of pressed vinyl and a cardboard sleeve. Fortunately, there are better ways to hear pianist Sonny Clark's debut recording for the fabled label. The Music Matters series of two-disk, 45 rpm vinyl records is winding down after close to one hundred ...


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