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Thelonious Monk: Celebrating 75 Years Of His First Recordings Revisited
by Stefano Merighi
Affrontare oggi queste pagine monkiane significa non solo riconsiderare l'importanza cruciale di un repertorio senza tempo, ma provare proprio un'ebbrezza dell'ascolto difficilmente eguagliabile. Thelonious Monk marchia a fuoco con la sua personalità tutta un'epoca del jazz che è quella rivoluzionaria del bebop--nonché quella “riformista" dell'hard bop--e stabilisce molte delle coordinate che ispirano la migliore musica africana-americana di oggi, sia di orientamento free che di stampo armonico progressive. In questo caso, la collana ezz-thetics realizza un'operazione davvero interessante, assemblando ...
Continue ReadingThelonious Monk: With John Coltrane 1957 Revisited
by Chris May
Once again, the ezz-thetics label has taken some of the finest artefacts of mid-twentieth-century US jazz and sonically restored them, bringing an unprecedented level of clarity, precision and presence. It is no exaggeration to say that the Swiss-based label's work can be compared with the restoration of Michelangelo's frescoes on the ceiling of the Sistine Chapel during the 1980s, both in terms of the quality of the original material and the artistry with which the renovation has been executed. The ...
Continue ReadingWhy Hard Bop?
by AAJ Staff
This article was first published on All About Jazz on January 1998.When trying to investigate jazz, all the classifications and categories can be a bit confusing. What do they mean when they say “hard bop?" How is it different from other types of jazz? Although a definition of the music may not necessarily enhance your listening enjoyment a little historical perceptive may be helpful for the jazz collector. The term hard bop, like many classifications in ...
Continue ReadingCharlie Parker: At Birdland 1950 Revisited
by Chris May
When it comes to live recordings of Charlie Parker, Jazz At Massey Hall, from a concert in Toronto in May 1953, has been widely considered the slam-dunk number one ever since Charles Mingus released it on his Debut label in 1956. Forensicists might favour the 7-CD The Complete Dean Benedetti Recordings Of Charlie Parker (Mosaic, 1990), but for most people, Massey Hall takes pole position. There have, however, been challengers for the top spot. Prominent among them ...
Continue ReadingRichard Brent Turner
by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. He is the author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (NYU Press). Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. In the book, Dr. Turner argues that from the late 1940s and '50s though the 1970s, Islam rose in ...
Continue ReadingThelonious Monk: Celebrating 75 Years Of His First Recordings Revisited
by Chris May
Another stone resurrection from the Swiss-based ezz-thetics label, Celebrating 75 Years Of His First Recordings Revisited collects 23 of the tracks Thelonious Monk recorded for Blue Note between 1947 and 1952, remastered by ezzthetics' sonic jedi Michael Brändli at Hardstudios in Winterthur. Situated north of Zurich, Winterthur is Switzerland's equivalent of Silicon Valley and Hardstudios looks like something out of a sci-fi movie. The audio quality Brändli achieves there for ezz-thetics' has been raved about many times on these pages. ...
Continue ReadingArt Blakey's Jazz Messengers: Art Blakey's Jazz Messengers With Thelonious Monk (Deluxe Edition)
by Chris May
Rhino's new series of reissues of historic albums from the late 1950s/early 1960s hit the ground running in 2020 with John Coltrane's Giant Steps (Atlantic, 1960). Spring 2022 has already seen Charles Mingus' Trio (Jubilee, 1957) and Coltrane's My Favorite Things (Atlantic, 1961). Hot on their heels comes Art Blakey's Jazz Messengers With Thelonious Monk (Alantic, 1958). Each reissue is a double disc. Disc one contains the original album. Disc two comprises outtakes, some previously ...
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