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Rodrigo Lima: Saga
by Chris M. Slawecki
“I fell in love with the jazz guitar--all kinds of jazz guitarists, from Jim Hall to Pat Metheny to Luis Bonfá, by listening to their records," explains Brazilian composer, arranger, bandleader and guitarist Rodrigo Lima. Saga luxuriously extends this jazz guitar love affair across the American and Brazilian continents--it was recorded in New York, Los Angeles, Rio de Janeiro and Curitiba--and across the two CDs of Lima's utterly magnificent recorded debut. Producer Arnaldo DeSouteiro elegantly ...
Continue ReadingAnat Cohen: Luminosa
by Dan Bilawsky
Anat Cohen's music is literally all over the map. Across her previous six albums, Cohen has explored the sounds of America, Brazil, France, Cuba, South Africa, and her homeland, Israel; she's addressed the work of John Coltrane, Antonio Carlos Jobim, Benny Goodman, Abdullah Ibrahim, Sam Cooke, Jacques Brel, Edith Piaf, Louis Armstrong, Ernesto Lecuona, Luiz Bonfa, and numerous others; and she's delivered original material that speaks to her ceaseless globetrotting. Here, she continues to explore a wide range of music, ...
Continue ReadingAnat Cohen & Choro Aventuroso Feat. Leni Andrade at 54 Below
by Ernest Barteldes
Anat Cohen & Choro Aventuroso, Feat. Leny Andrade54 BelowNew York, NYAugust 23, 2013The quartet. led by Anat Cohen, kicked off its early set with a selection of classic Brazilian choros that were enhanced by the individual talents of the Israeli reeds player's pan-Brazilian quartet, which featured accordion, acoustic seven-string guitar and pandeiro. The group's chemistry was quite palpable, and the musicians fed on each others' vibes, picking up immediately where one solo left off.
Continue ReadingAnat Cohen: Claroscuro
by AAJ Italy Staff
Colleghi di mutuo soccorso. Jason Lindner dà una mano a Anat Cohen che dà una mano a Daniel Freedman che poi ricambia/no nel disco della clarinettista di origini israeliane. Di sicuro a rimettere non c'è nessuno, perché questi aiuti reciproci cementano un interplay che nei dischi di ognuno si sente eccome. Anat Cohen evoca la pittura. I chiaroscuri che cerca li trova in questi “impasti" sonori che la confermano come una delle musiciste/fiatiste più in gamba in circolazione. Una manciata ...
Continue ReadingAnat Cohen at Kennedy Center Jazz Club
by Franz A. Matzner
Anat Cohen has received no shortage of accolades of late and her rise is a testament to her stunning capacities on clarinet and saxophone. She is no stranger to Washington, DC audiences either, packing clubs and concert halls from Bohemian Caverns to the Sixth and I Synagogue. Most recently, Cohen filled the Kennedy Center's Jazz Club, where she helped highlight the modernistic trajectory that pianist Jason Moran is charting for the Center's jazz program as its new artistic director.
Continue ReadingAnat Cohen: Claroscuro
by Dan Bilawsky
Art begets art on Anat Cohen's Claroscuro. The Israeli-born, New York-based multi-reedist leaves the confines of Benny Goodman's world behind, following her clarinet-only sojourn into king of swing territory, Clarinetwork: Live At The Village Vanguard (Anzic, 2010), with a wide-ranging musical treatise on the balance between light and dark. Cohen addresses each end of the color spectrum on its own terms during this eleven-song program but, more often than not, plays one off the other within a single performance. She's ...
Continue ReadingAnat Cohen: Claroscuro
by Ernest Barteldes
Reed multi-instrumentalist Anat Cohen seems equally comfortable performing Brazilian jazz with Duduka Da Fonseca's quintet, contemporary jazz with her two brothers in the Three Cohens, or Afro-Cuban and more straight-ahead material with the countless ensembles with which she has worked over the years. Claroscuro reflects Cohen's unique ability to tackle multiple genres with the same dexterity. This is immediately evident with pianist Jason Lindner's “Anat's Dance," a contemporary tune with a Latin-esque feel that allows Cohen to stretch ...
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