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Hans Luchs: The Spell is Broken
by Artur Moral
The third record by NYC-based guitarist Hans Luchs arrives six years after his praiseworthy--but largely overlooked--sophomore release, Until Next Time (Self Produced, 2018). As with that album, the Chicagoan embraces the well-known motto of “less is more," distilling his guitar expertise and writing talent into less than forty minutes across eight new original compositions. Luchs stands as the antithesis of what we might call a jazz guitar hero and rejects any instrumental prominence as a leader. His approach ...
Continue ReadingAlexander Claffy: Music From Big Orange
by Pierre Giroux
Alexander Claffy has released an impressive album entitled “Music From Big Orange" which showcases his skills as a bassist and composer, and captures the essence of contemporary jazz while paying homage to the rich traditions of the genre. Switching seamlessly from acoustic bass to electric, depending on the sonic flow of any given tune, it is clear that Claffy's bass playing is the foundation upon which the entire album is built. On this orange-coloured vinyl LP, ...
Continue ReadingKristiana Roemer: House of Mirrors
by Jerome Wilson
Kristiana Roemer is a young German singer whose voice has a lilt and plush texture reminiscent of Annette Peacock. On this, her first album, she uses her intriguing sound in the service of both conventional jazz tunes and floating, airy pieces which border on art songs. Most of the material here is her own writing, though some lyrics derive from others' poetry. In addition, she proves her jazz bona fides by including familiar tunes by Stanley Turrentine and Charles Mingus. ...
Continue ReadingTommaso Gambini: The Machine Stops
by Angelo Leonardi
Trasferitosi a New York, dopo aver studiato al Berklee College, il 28enne chitarrista torinese Tommaso Gambini debutta con un album maturo e ricco di sottigliezze, ispirato dal racconto distopico di Edgar Morgan Foster “The Machine Stops," tradotto in italiano col titolo “La macchina si ferma." Pubblicato nel 1909, lo scritto anticipa alcuni temi approfonditi successivamente da George Orwell, Aldous Huxley e Philip K. Dick descrivendo un universo totalitario dove tutto è controllato da una “Macchina," adorata come divinità e adibita ...
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