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Jazz Articles about Abdullah Ibrahim

4
Live Review

South Africa at the South Bank

Read "South Africa at the South Bank" reviewed by Duncan Heining


The Dedication Orchestra and Abdullah Ibrahim & Ekaya The South Bank Centre London Jazz Festival November 15, 2014 The London Jazz Festival is now in its twenty-second year. It's a vast, sprawling event and its venues criss-cross a city that never quite seems to end, whilst its musical styles span the globe from the USA to Australia and from South Africa to Norway. Saturday 15th November saw South Africa in two distinctly different guises ...

9
Live Review

Abdullah Ibrahim at Zankel Hall

Read "Abdullah Ibrahim at Zankel Hall" reviewed by Dan Bilawsky


Abdullah Ibrahim Zankel Hall Ubuntu: Music And Arts Of South Africa New York, NY October 17, 2014 Ubuntu. It's one little six-letter word that carries a world of meaning within its frame. The term itself, roughly translated to mean “I am because you are," took root as a philosophy for black youth liberation in the '40s and '50s, but over time, ubuntu has taken on a life beyond a specific movement. It's a ...

9
Album Review

Abdullah Ibrahim: Mukashi (Once upon a time)

Read "Mukashi (Once upon a time)" reviewed by Gabriel Medina Arenas


Japan and South Africa were never so close. The acclaimed pianist and flautist Abdullah Ibrahim fused the Asian zen calmness with stories and inspiration from his native homeland in his latest album Mukashi. Mukashi translates in Japanese as “Once upon a time" is a very appropriate title considering Ibrahim's impressive storytelling skills, as well as the visual evocations of the record. “Krotoa" is one of the most interesting tracks of the album and it is split ...

1
Album Review

Abdullah Ibrahim: Mukashi Once Upon a Time

Read "Mukashi Once Upon a Time" reviewed by Maurizio Zerbo


Abdullah Ibrahim apre la sua musica verso gli orizzonti dell'Oriente, proiettandola in qualche traccia verso i suoni tradizionali del Giappone. Non è una scelta estetizzante, ma ben rispondente alla curiosità di un uomo che da 50 anni pratica le arti marziali e le filosofie orientali. Come ben dimostra la magnifica traccia finale del CD, i colori poliritmici della sua tradizione vengono messi da parte in favore di un jazz da camera raffinato ed introspettivo. Il pianoforte resta il punto focale ...

11
Album Review

Abdullah Ibrahim: African Piano

Read "African Piano" reviewed by John Kelman


Chick Corea and Keith Jarrett are widely thought to have represented ECM Records' initial solo piano forays with Piano Improvisations, Vol. 1 & 2 (1971/1972) and Facing You (1972), respectively, but a lesser-known recording from 1969, unreleased until 1973 on ECM's sister label, JAPO, could be considered its true first. Originally released under Dollar Brand's birth surname as the South African pianist had yet to convert to Islam and become Abdullah Ibrahim, African Piano's reissue as part of ECM's Re:solutions ...

218
Album Review

Abdullah Ibrahim & Ekaya: Sotho Blue

Read "Sotho Blue" reviewed by Raul d'Gama Rose


The music of pianist Abdullah Ibrahim has lit up the world, shining brightly in the darkest recesses of the mind for decades. It has sung proud through the apartheid era, helping to clench the fist of protest tighter and the voice of human freedom sing louder. Now that the walls of segregation (at least in South Africa) have come tumbling down, Ibrahim's elementally beautiful melodies have begun to sound more tempered, his husky harmonies more bronzed, glowing with burnished colors. ...

484
Interview

Abdullah Ibrahim: Perpetual Change

Read "Abdullah Ibrahim: Perpetual Change" reviewed by Ian Patterson


For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it never withers. And, like the Lesotho mountains, which, in part, inspired Ibrahim to revisit compositions--some of which he penned a quarter ...


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