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3
Radio & Podcasts

Muthspiel / Colley / Blade, JC Sandford's EQ, Donovan Haffner, The Poly-Tones

Read "Muthspiel / Colley / Blade, JC Sandford's EQ, Donovan Haffner, The Poly-Tones" reviewed by Cheryl K.


During this week's two-hour program of jazz and improvised music, guitarist Wolfgang Muthspiel, bassist Scott Colley, and drummer Brian Blade; pianist Simon Chivallon; Lizzy & The Triggermen; JC Sandford's EQ; Perceptions Trio; saxophonists Jason Rigby and Donovan Haffner; The Poly-Tones; bassist Rich Brown; and pianist Chano Domínguez and guitarist Ethan Margolis. Playlist Monnette Sudler “To Be Exposed" from Brighter Days for You (Steeplechase) 5:15 Julian Lage “Everything Helps" from The Layers (Blue Note) 4:12 Wolfgang Muthspiel Scott Colley ...

6
Album Review

Jim Witzel Quartet: Very Early (Remembering Bill Evans)

Read "Very Early (Remembering Bill Evans)" reviewed by Pierre Giroux


Guitarist Jim Witzel's Very Early (Remembering Bill Evans) serves as both a heartfelt homage and a poetic reinterpretation of the pianist's timeless work. Joined by pianist Phil Aaron, bassist Dan Feiszli, and drummer Jason Lewis, Witzel approaches this project with the qualities that define Evans' artistry: lyricism, subtle interplay, and harmonic sophistication, all while maintaining his own voice at the forefront. The nine-track selection presents a carefully curated program of compositions closely linked to Evans' career development, including two original ...

8
Take Five With...

Take Five with Saxophonist Inbar Solomon

Read "Take Five with Saxophonist Inbar Solomon" reviewed by AAJ Staff


Meet Inbar Solomon Inbar Solomon is a saxophonist, flutist, and composer originally from Tel Aviv, Israel who is now based in Brooklyn, New York. A graduate of The New School's Jazz and Contemporary Music program, he received significant merit scholarships from both The New School and Berklee College of Music. Solomon has appeared at major international festivals such as the Bern Jazz Festival in Switzerland and the Jerusalem Jazz Festival in Israel. He has also performed at leading venues in ...

39
Album Review

Mike LeDonne's Groover Quartet: Turn It Up!

Read "Turn It Up!" reviewed by Jack Bowers


Turn It Up!, the latest recording by organist Mike LeDonne's superb and long-lived Groover Quartet, is actually a two- CD set that reprises concert sessions recorded twenty years apart--the first, You'll See! (Cellar Records, 2004) in Vancouver's now- defunct Cellar Jazz Club, the second,Turn It Up!, in 2024 at Ken Kitchings' The Side Door in Old Lyme, Connecticut. It is hard to say what is most remarkable about the concerts: that the group has preserved its uncommon mastery and rapport ...

8
Album Review

Smooth Elevator: Moving Target

Read "Moving Target" reviewed by Doug Collette


With a band name that bespeaks fluid motion in the general direction of ascent, Smooth Elevator has set a high bar for itself. But the international trio of guitarist Will Bernard, bassist Danilo Gallo and drummer Gioele Pagliaccia wisely recorded Moving Target live in the studio, fresh from live dates, and, in so doing, captured the purity of their instrumental dynamic over the course of a baker's dozen selections. Taking into account such serendipity, it is thus little ...

7
Radio & Podcasts

Christian McBride, Caelan Cardello, Nicole Zuraitis and Stanley Clarke

Read "Christian McBride, Caelan Cardello, Nicole Zuraitis and Stanley Clarke" reviewed by Joe Dimino


In honor of the return of the Kansas City Jazz & Blues Fest after a 20+ year hiatus, we begin with a headliner of that October 4, 2025 day of music gems with the legendary Stanley Clarke with music off his 1993 album East River Dance. From there, we hop right into an Italian musician with deep KC roots in Roberto Magris with music off his new 2025 album Lovely Days. From there, we get into an eclectic mix of ...

11
Album Review

Earscratcher - Rempis/Harnik/Lonberg-Holm/Daisy: Otoliths

Read "Otoliths" reviewed by Mark Corroto


How do these four musicians--individually and collectively--manage to create music that is consistently compelling? Part of the answer lies in their versatility. Each is a formidable soloist, an accomplished bandleader and a sought-after collaborator in improvising ensembles. For Earscratcher, Austrian pianist Elisabeth Harnik joins forces with three longtime stalwarts of the Chicago scene: saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Tim Daisy. The Chicago contingent first forged their bond in the trailblazing Vandermark 5 and have since collaborated across ...

3
Radio & Podcasts

Chronojazz, Evan Marien, Commodore, Mr Motaba, Anika Nilles, Igor Wilcox

Read "Chronojazz, Evan Marien, Commodore, Mr Motaba, Anika Nilles, Igor Wilcox" reviewed by Len Davis


We kick off with Allan Holdsworth inspired fusion from Chronjazz, featuring Ross Ian Lardner, Ollie Usiskin and Jimmy Haslip. Evan Marien x Dana Hawkins return with a sleek new single, while Bob Frye teams up with Uzoma for a soulful groove. From Argentina, Commodore drop their long-awaited release, and Brazil's Mr. Motaba blend jazz, fusion, and Brazilian rhythms. German drummer Anika Nilles brings tight, funk-infused fusion, and Japanese pianist Ai Kuwabara delivers cool, modern jazz alongside bassist Yusuke Morita. Brazilian ...

12
Multiple Reviews

Two Great Composers From Decades Apart

Read "Two Great Composers From Decades Apart" reviewed by John Eyles


Although the Another Timbre label was originally set up in 2007 to release recordings of improvised music--its very first release was The Contest of Pleasures by John Butcher, Axel Dorner and Xavier Charles--it did not take long for it to be releasing recordings of modern compositions... The label's tenth release, Lost Daylight, was played by John Tilbury on piano and comprised five compositions by Terry Jennings and one by the late John Cage. It was not long until the label ...

18
Live Review

Nik Bärtsch’s Ronin with Sumie Kaneko at MIT

Read "Nik Bärtsch’s Ronin with Sumie Kaneko at MIT" reviewed by Tyran Grillo


Nik Bärtsch's Ronin with Sumie Kaneko Thomas Tull Concert HallMassachusetts Institute of TechnologyBoston, MAOctober 4, 2025 At the close of a week-long residency at MIT--where Swiss pianist Nik Bärtsch served as both muse and subject to a group of “freaky scientists," as he affectionately called them--something extraordinary came to fruition. The program had seen Bärtsch immersed in neurological studies, AI-driven musical experiments and a collaborative workshop between his band Ronin and the university's own ...


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