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Album Review

Sheryl Bailey: Homage

Read "Homage" reviewed by Jim Josselyn

Homage, Sheryl Bailey's 12th outing as a leader, is a welcome and well deserved musical love letter to the late, great Pat Martino. The opening track, with one of the great song titles in instrumental music history, “The Velvet Hammer," was written for Martino, and the decision to have keyboardist Miki Hayama play the Fender Rhodes throughout harkens back to one of Martino's masterpieces with Gil Goldstein, We'll Be Together Again (Muse, 1976). But make no mistake, Bailey ...

Album Review

The Sheryl Bailey 3: Live @ The Fat Cat

Read "Live @ The Fat Cat" reviewed by Budd Kopman

Live @ The Fat Cat is an intensely burning live recording which documents two gigs from November of 2005. Sporting killer chops along a natural talent for building a solo, Sheryl Bailey is a joy to listen to. But the pleasure does not stop there, as organist Gary Versace (who played on Loren Stillman's It Could Be Anything) and drummer Ian Froman (from the Murley/Braid Quartet's Mnemosyne's March) match her every step of the way. The trio's members have been ...

Album Review

The Sheryl Bailey 3: Live @ The Fat Cat

Read "Live @ The Fat Cat" reviewed by Elliott Simon

At home in many musical milieus, Sheryl Bailey's guitar speaks both viscerally and cerebrally. Of late, she has been most comfortable in her Hammond B3 trio with organist Gary Versace and drummer Ian Froman. Live versions of songs from their two initial studio releases make up only roughly a third of Live @ The Fat Cat, which captures the band over two nights at the Greenwich Village club. This latest chronicle reveals that the group has matured to a point ...

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