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Satchmocracy: Satchmocracy vol. 2
by Richard J Salvucci
It is not easy to keep up with all the new jazz being recorded. It was perhaps easier in the 1950s or 1960s, when a couple of major labels did the bulk of the recording. An artist either made it that way or went unheard except in his or her hometown. For better or worse, it is different now. A prospective reviewer probably fields requests for several hundred recordings a year. And, of course, they come ...
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