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Album Review

Cat Power: Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert

Read "Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert" reviewed by Doug Collette


There have been some splendid tributes to Bob Dylan and his singular songcraft in recent years, specifically Bettye LaVette's Things Have Changed (Verve, 2018) and Chrissie Hynde's Standing in the Doorway (BMG, 2021). But, stirring as both of those are, neither is as ambitious or eccentric as Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert. The woman born Charlyn Marshall has traveled quite the arc of a thirty-plus year career, so perhaps covering the setlist of ...

458
Extended Analysis

Wyatt/Atzmon/Stephen: '...for the ghosts within'

Read "Wyatt/Atzmon/Stephen: '...for the ghosts within'" reviewed by John Kelman


Wyatt/Atzmon/Stephen...for the ghosts withinDomino Records2010 Since emerging in the mid-1960s--first as part of the nascent Canterbury scene with the psychedelic Wild Flowers and post-Dadaist-turned-free jazz-rockers Soft Machine; but then, after a tragic accident that left him paralyzed from the waist down, an increasingly astute and distinctive singer/songwriter--Robert Wyatt has managed a truly rare thing: to build a career that has reached near-legendary status, despite still feeling somehow underground and cult. Wyatt releases ...

254
Album Review

Kieran Hebden / Steve Reid: Tongues

Read "Tongues" reviewed by Ian Patterson


There is a natural symmetry in the pairing of sampler/electronics improviser Kieran Hebden and drumming troubadour Steve Reid. Reid's credits run from Fela Kuti to Sun Ra, James Brown to Miles Davis, and Archie Shepp to Arthur Blythe. Hebden, a fan of avant-garde and free jazz (particularly Pharoah Sanders), has remixed tracks by artists as diverse as Badly Drawn Boy, Black Sabbath and Steve Reich. It is safe to say that both musicians share a certain sense of adventure, and ...

132
Album Review

Four Tet: Remixes

Read "Remixes" reviewed by James Taylor


Kieran Hebden's latest release as Four Tet, the moniker he has recorded under since disbanding the late-'90s post-rock group Fridge, is a double-disc collection of remixes. While a remix album may seem superfluous in the catalogs of many artists as young as Hebden, Remixes in all actuality serves as a stellar introduction to one of the brightest young talents in electronic music today and is an essential and timely addition to the Four Tet collection.

Remixes compiles two different approaches ...

152
Album Review

Kieran Hebden & Steve Reid: The Exchange Session Vol. 2

Read "The Exchange Session Vol. 2" reviewed by Chris May


Imagine John Coltrane's Africa/Brass during its most intense and primal passages, and you're getting some idea of what The Exchange Session Vol.2 sounds like--but with a truckload of electronic juju replacing the horns. This is spontaneously created electro-acoustic music at its rawest, most beat-centric and most pile-driving.

Steve Reid has been a presence on the experimental, world music and otherwise alternative edges of the jazz life for over forty years. Coltrane was one of the few legends he never actually ...

198
Album Review

Kieran Hebden and Steve Reid: The Exchange Session Vol. 1

Read "The Exchange Session Vol. 1" reviewed by AAJ Staff


These two wide-ranging musicians met less than two years ago, but they seem to have already forged a strong working relationship. Steve Reid, whose drumming pedigree goes all the way back to high school practice sessions at John Coltrane's house, has worked with a dizzying variety of prominent musicians from Miles Davis to Fela Kuti and James Brown--and, yes, the Rippingtons. His discography runs well into the hundreds. Electronics specialist Kieran Hebden, a comparative youngster in his mid-20s, is best ...

139
Album Review

To Rococo Rot: Hotel Morgen

Read "Hotel Morgen" reviewed by AAJ Staff


When you consider abstract electronica, it's important to remember that its abstraction works on a sliding scale. The architects of jumbled beeps and clicks stand to the left of drum-n-bass groovemeisters, but there's a whole lot of meat in between. To Rococo Rot is meaty in exactly that way: experimental without becoming an exercise in frustration, affable without becoming soft. Nine years after getting together in Berlin, the trio of Robert Lippok, Ronald Lippok, and Stefan Schneider return with their ...


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