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Oz Noy: Triple Play
by Doug Collette
In the parlance of baseball, the triple play is one of the rarest occurrences in the game, a fielding opportunity relying as much on practice as experience. So it is altogether fitting that guitarist Oz Noy, drummer Dennis Chambers and bassist Jimmy Haslip title their live outing after this most unusual gambit; the trio's combined history and preternatural chemistry make for a singular outing, one in which camaraderie takes precedence over technique (although there is plenty of the latter).
read moreShakti: This Moment
by Geno Thackara
The Shakti of This Moment is essentially the Shakti of all its moments--a natural fusion bridging jazzy interplay with the forms and rhythms of Hindustani carnatic music, even if the sound is leagues away from the all-acoustic wildfire that singed countless ears with the live Shakti with John McLaughlin (Columbia, 1976). The group's unexpected reemergence after never-mind-how-many decades comes with a share of surprises, from touches of vaguely reed-like MIDI guitar to the presence of a co-lead violin for the ...
read moreJohn McLaughlin and Shakti: This Moment
by Dave Linn
John McLaughlin was known for his work with Miles Davis on Bitches Brew (Columbia, 1970) and with Tony Williams' Lifetime before forming his groundbreaking fusion band Mahavishnu Orchestra. He then shocked people with his next project, John McLaughlin and Shakti, an acoustic fusion of the Carnatak music of South India combined with some Western influences. After three albums, he disbanded the group and went in different directions before revisiting the genre 20 years later in 1999 with Remember Shakti, for ...
read moreShakti: This Moment
by Ian Patterson
It has been a while alright. 46 years have slipped by since Shakti's last studio album, but the band founded by John McLaughlin and Zakir Hussain in late '73, is back to celebrate its 50th anniversary. The old road dogs could easily have marked the milestone by touring the back catalogue, and doubtless it would have been a roaring success, but it says a lot for McLaughlin and Hussain's artistic drive that they chose instead to write an album's worth ...
read moreShakti: This Moment
by Ian Patterson
Forty-six years is a hefty chunk of time between studio releases. Half a lifetime, in fact. Shakti, however, is no ordinary band. The lengthy hiatuses that have punctuated the pioneering Indo-jazz band's fifty-year journey have not dimmed the collaborative flame of co-founders John McLaughlin and Zakir Hussain. Following its 2012-13 tour, they placed the dust covers over the band-- redubbed Remember Shakti in 1997--once more. That hiatus soon seemed set to be permanent following the premature death of mandolinist Uppalapu ...
read moreThe Trackers featuring Gary Husband & Alf Terje Hana: Vaudeville 8:45
by Mike Jacobs
What appears next on a resumé as weighty as Gary Husband's is always a matter of musical interest. Even with long and satisfying associations with legends like John McLaughlin and Allan Holdsworth, the talented drummer/keyboardist continually seeks different worthy and intriguing paths to explore--whatever his vehicle of expression. So when his latest project is co-led by a comparatively under-the-radar musician--in this case, Norwegian guitarist Alf Terje Hana--additional curiosity ensues. To that end, the story of their collaboration begins with both ...
read moreJohn McLaughlin: Liberation Time
by Geno Thackara
Perhaps the biggest success of Liberation Time is that its title feels sincere and not ironic. Such a sentiment could have easily come out as a cute bit of wishful thinking under the restrictions of pandemic life. Being who he is, though, John McLaughlin inevitably finds the value and positivity even in this strange state of affairs. The wonderful thing about music is that you put the headphones on and you are all in the same room," he says in ...
read moreWayne Krantz: Music Room 1985
by Mike Jacobs
When it comes to lost recordings, unpublished novels or newly unearthed art of any sort, receptions tend to be somewhat mixed. This may be because, in many cases, those responsible for these works are usually dead and/or mythologized to a degree, so the expectational ante gets upped accordingly. Also involvedand perhaps more importantis the ability (or inability) to receive them in their proper context years after the fact. Which is why one of the nicer aspects of Wayne ...
read moreOz Noy: Snapdragon
by Mike Jacobs
It's an old sentiment but it still holds that great instrumental chops, enthralling as they may be, are fairly meaningless on their own. And quite frankly, they are pretty ubiquitous these days with the internet exposure machine going full tilt. Given all that, it's quite easy for the listener to become inured with technical prowess-- especially wizardry of the fretboard. So to say Oz Noy is a fantastic guitarist just isn't enough anymore. It's fortunate then that what ...
read moreWayne Krantz: Write Out Your Head
by Mike Jacobs
What do you want from Wayne Krantz anyway? It's a particularly relevant question when new release time rolls around for the guitar icon(oclast). Not that Krantz himself seems to give the question much thought. He's more known for being preoccupied with things like inventing (and reinventing) himself, exploring and capturing ineffable group mojo, or pushing the envelope toward things he has yet to try or accomplish. And, as many longtime Krantz fans would surely tell you, rightfully so. ...
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