Jazz Articles
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Perelman / Ribot / Sharp / Morris: Trifecta
by Mark Corroto
With a discography approaching 200 releases, it might be tempting to imagine saxophonist Ivo Perelman as a kind of jazz gunfighter, in the lineage of Charlie Parker or Coleman Hawkins, stepping into one cutting contest after another. But that image misses the mark. Perelman's recordings are rarely about competition. Instead, they are grounded in creation, collaboration and deep musical partnership. The closest he comes to that rough-and-tumble spirit is in his long-running exchanges with pianist Matthew Shipp, where the intensity ...
Continue ReadingThings Of This Nature: Things Of This Nature
by Glenn Astarita
Caylie Davis grew up in Eugene, Oregon, playing trumpet in a town not exactly known for avant-garde-leaning jazz before making her way to New York to enroll at the Manhattan School of Music. There, she studied under Ingrid Jensen, Nadje Noordhuis and Jon Faddis--three players who, between them, cover a wide stylistic range. Davis casts an even broader net. Booker Little and Maurice Ravel both factor into how she thinks about sound, while the human voice remains just as central to ...
Continue ReadingArt Edmaiston & Chad Fowler: Memphis Mandala
by Glenn Astarita
Recorded live in Memphis, Memphis Mandala is led by Art Edmaiston on tenor and soprano saxophones, alongside Chad Fowler's work on stritch and flute. They are backed by a rhythm section that intuitively knows when to push the accelerator and when to let the engine idle in neutral. The result is collective improvisation--with two drummers--that feels less like a performance and more like five people arguing passionately about the meaning of life, only they are using horns and drums instead ...
Continue ReadingArt Edmaiston / Chad Fowler: Memphis Mandala
by Mark Corroto
We often approach recordings as if they were live performances: fully present in the moment, deeply engaged, and then rarely revisited. Like a concert, the sounds drift into the ether, lingering in memory and, perhaps, subtly reshaping the listener's internal landscape. Yet Memphis Mandala, the 2024 live collaboration between saxophonists Art Edmaiston and Chad Fowler, resists that pattern. Though comfortably situated under the free jazz rubric, this is a recording that rewards, and arguably demands, repeated listening. Each ...
Continue ReadingSteve Hirsh: Root Causes
by Mark Corroto
Although Steve Hirsh's name appears on the masthead of Root Causes, you might not immediately recognize it as a drummer-led recording. Unlike the unmistakable leadership of Art Blakey, Elvin Jones, and Tony Williams, Hirsh leads with subtlety, functioning more as a selfless, responsive collaborator than a dominant force. The album features a classic piano trio format, with pianist Eri Yamamoto and bassist William Parker rounding out the ensemble. This trio forms three-quarters of the Sparks Quartet, led by ...
Continue ReadingRob Brown: Walkabout
by Fran Kursztejn
Despite spending the majority of his career as a side man for William Parker and Matthew Shipp, Rob Brown is perhaps the most recognizable alto saxophonist on the East Coast. Recognizable not because he is famous (far from it), but simply because he is rather difficult to mistake. His sound is abrasive, bellowing and free, oozing with a crooning full-force poignancy reminiscent of his late mentor Lee Konitz. Perhaps it is the singular presence of Charlie Parker in his oscillating ...
Continue ReadingMahakala Music: Murmuration
by Fran Kursztejn
"Birds from the east coast meet birds from the midwest," reads Mahakala Music's description for saxophonist Dave Sewelson's newest release. Sewelson himself is a bicoastal phenomenon: born in Oakland, then traipsing into the New York scene circa 1977. Like his frequent bandleader collaborator William Parker, he acts as a magnetic center to attract a variety of local and international performers alike. Murmuration's line-up consists of another fellow New Yorker-violinist Gabby Fluke-Mogul, and three Minneapolitans, bassist Anthony Cox, drummer Steve Hirsh ...
Continue ReadingMichael Bisio: NuMBq
by Mark Corroto
Michael Bisio borrows the phrase “and now for something completely different" from Monty Python's Flying Circus to describe his new quartet, NuMBq. Joining the bassist is longtime collaborator Jay Rosen on drums, along with two musicians traditionally rooted in classical music: violist Melanie Dyer and English horn player Marianne Osiel. With NuMBq, Bisio blurs the line between chamber music and jazz--but let's not confine this session to the Third Stream category. Early jazz-classical hybrids, such as Charlie Parker ...
Continue ReadingIvo Perelman, Chad Fowler, Reggie Workman and Andrew Cyrille: Embracing the Unknown
by Troy Dostert
Since founding Mahakala Music in 2019, saxophonist Chad Fowler has done as much as anyone to continue the spirit of unfettered free jazz, drawing on an illustrious roster which includes veterans such as William Parker, Matthew Shipp, Joe McPhee, Ivo Perelman and many others, with Fowler himself frequently appearing alongside them. The label is also doing a superb job of bringing together cross-generational assemblages of musicians, as on 2022's Alien Skin, which brought Shipp, Parker and Perelman together with Fowler, ...
Continue ReadingIvo Perelman / Chad Fowler / Reggie Workman / Andrew Cyrille: Embracing the Unknown
by Mark Corroto
Let's explore the title of saxophonist Ivo Perelman's latest release, Embracing the Unknown. His quartet with fellow saxophonist Chad Fowler, plus jazz legends Reggie Workman and Andrew Cyrille embrace, or welcome, adopt, and maybe better stated, champion the unknown. This exercise in instant composing guides listeners through the mysterious, the new, the novel, the undiscovered, i.e. the unknown. But then again, doesn't every Ivo Perelman recording embrace the unknown? With his one hundred plus (and counting) discography, the ...
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