Jazz Articles
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Gretchen Parlato: Live in NYC
by Dr. Judith Schlesinger
In the ever-growing crowd of jazz vocalists, Gretchen Parlato increasingly stands out for her unique sound and musicality. She has been criticized by those who think she should sing “bigger," move around more, and open her eyes when she performs. But she has held to her own meditative style, which includes encouraging her bands to have spontaneous, passionate, and personally-expressive conversations, rather than being obedient supporters that she unilaterally “leads." This is all very evident on Live in NYC, which ...
read moreGretchen Parlato: Live in NYC
by C. Michael Bailey
Live in NYC is vocalist Gretchen Parlato's eagerly awaited live recording and follow-up to 2011's excellent The Lost And Found (Obliqsound). Gretchen Parlato (Obliqsound, 2006) and 2011's In A Dream (Obliqsound) round out her catalog as a leader. That said, Parlato has been much more busy than would be indicated by her four recordings in eight years. She has appeared on some 70-plus recordings from Kenny Barron's The Traveler (Emarcy, 2006) to Esperanza Spalding's Esperanza (Concord Music Group, 2008) to ...
read moreGretchen Parlato: The Lost and Found
by C. Michael Bailey
Gretchen Parlato is emerging as the most important jazz singer since Cassandra Wilson. Her vocal approach is so unique and her repertoire so eclectic that she stands to create a jazz vocal genre unto herself. After placing first in the 2004 Thelonious Monk International Jazz Vocals Competition, Parlato released her eponymous debut, self-produced, in 2005. Warmly received, she followed her freshman effort up in 2009 with In a Dream (Obliqsound), her critical gravity growing. And those are ...
read moreGretchen Parlato: The Lost And Found
by Wilbert Sostre
Despite being completely different singers, there's a lot to connect Gretchen Parlato with the legendary Billie Holiday. Holiday was a singer with a phrasing deeply rooted in the blues, while Parlato is a jazz singer with the modern influences of R&B and pop music, but what draws them together is the uniqueness of their respective styles. Neither has the greatest vocal range, but the originality and pure feeling of their voices is what has set them apart from any other ...
read moreGretchen Parlato: The Lost and Found
by A. Lienhard
Gretchen Parlato's much anticipated third release, The Lost and Found, secures her position as the leading vocalist in New York's under-40 jazz scene. On this 15-track program, Parlato and producer Robert Glasper blend musical styles like so many cocktails. They purposefully demonstrate that hip-hop has a quiet side, that you needn't be from Brazil to play its music, and that a mere whisper can incite goose bumps. The album opens with an update of the Simply Red ...
read moreMax Wild: Tamba
by Chris M. Slawecki
Alto saxophonist Max Wild's Tamba, his ObliqSound debut, combines classic musical themes and devices from Zimbabwe and South Africa with illuminating arrangements and improvisations from contemporary jazz. “My connection to Zimbabwean music defines me. Once I stopped trying to sound like a 'jazz' musician and let my inspiration come out freely, I was able to let my diverse influences create something that was personal to me. My music," Wild once reflected. “It's up to the critics what they want to ...
read moreGretchen Parlato: In A Dream
by C. Michael Bailey
Vocalist Gretchen Parlato is part Bobby McFerrin, part Theo Bleckmann, and David Binney. All men, yes. Parlato's voice is light as an apparition, ethereal and implied. She is fond of vocal gymnastics as is McFerrin. She shares a sense of humor in art with Bleckmann and a musical adventurousness with Binney. In A Dream is the recording Chet Baker would have made, had he been a woman. Both vocalists share an opaqueness in an otherwise transparent instrument. ...
read moreJohn Ellis & Double Wide: Puppet Mischief
by Doug Collette
Saxophonist John Ellis is slowly but surely distinguishing himself as a notably singular figure in contemporary jazz. Establishing a firm foundation for himself as a tenured accompanist to 7-string guitarist Charlie Hunter, the North Carolina native and current resident of Brooklyn embarked on his solo career in authoritative style with One Foot in the Swamp (Hyena, 2005), and then conceived the ingenious Double Wide ensemble, the unusual lineup of which may not have wholly defined itself on its debut, but ...
read moreJohn Ellis & Double-Wide: Puppet Mischief
by Russ Musto
This second outing by John Ellis & Double Wide, the versatile saxophonist/bass clarinetist's extraordinary New Orleans-based band, one ups the “serious fun" mentality by inviting a pair of guests--harmonica master Gregoire Maret and multifaceted trombonist Alan Ferber--to augment the unusual quartet of sousaphonist Matt Perrine, drummer Jason Marsalis and newcomer Brian Coogan (replacing Gary Versace) on organ. The result is an even more flavorful gumbo that spices up the homegrown roots of the Crescent City with the savory sounds of ...
read moreJohn Ellis & Double-Wide: Puppet Mischief
by Chris May
Brooklyn-based saxophonist John Ellis is a player who, whenever he puts his horn in his mouth, makes it seem like retro-modern is the only show in town. His style is part classic soul and funk, part modern jam band groove and part freewheeling improvisation. He has a particular affinity with New Orleans roots music and also references non-American folk and popular styles. He has a hipster sense of humor and an itch to experiment. It's a spellbinding combination and is ...
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