Jazz Articles
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George Coleman: With Strings
by Jack Bowers
Sooner or later (usually later), a jazz saxophonist (or other instrumentalist) will entertain a desire to leave his or her normal comfort zone and record an album with “class." In other words, cue the string section and get ready to score some ballads. Tenor virtuoso George Coleman, who likely needs no introduction to even the more casual jazz fan, is the latest to take the With Strings plunge, diving headlong into a number of sumptuous, string-laden arrangements by Bill Dobbins. ...
Continue ReadingGeorge Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his artistry. As he explained in an interview with Rob Shepherd (2024): “I try not to be close-minded but instead try to expand my interest ...
Continue ReadingGeorge Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live at the Antibes Jazz Festival (1964); My Funny Valentine: In Concert (1965); and “Four and More:" In Concert (1966), all on Columbia Records. Add ...
Continue ReadingGeorge Cables: I Hear Echoes
by Joshua Weiner
Pianist George Cables has released a steady stream of albums as a leader since the mid-1970s, but may be best known to listeners as a stalwart side man whose contributions to a slew of classic records by the likes of Freddie Hubbard, Art Pepper, Dexter Gordon, Bobby Hutcherson, Joe Henderson and Woody Shaw never fail to enliven the proceedings. I Hear Echoes, another in a string of strong releases on High Note Records, was released on his 80th birthday, though ...
Continue ReadingCedar Walton One Flight Down
by Thomas Conrad
They are thinning out: the ranks of pianists who can trace their lineage directly back to primary sources like J.J. Johnson, the early Jazz Messengers of Art Blakey, and the Jazztet of Art Farmer and Benny Golson. In the last few years, we have lost Tommy Flanagan, Mal Waldron, Roland Hanna, Dodo Marmarosa, Russ Freeman, Frank Hewitt, and, most recently, John Hicks. Producer Bob Porter once said of Cedar Walton, “By the time he came to make his ...
Continue ReadingJeremy Pelt: Tomorrow's Another Day
by Jack Bowers
Trumpeter Jeremy Pelt, a force on the jazz scene for more than two decades, simply does his own thing on Tomorrow's Another Day, the twenty-fourth album as leader of his own groups, inviting any interested listeners to come on board for the ride. Pelt's thing these days apparently includes an abundance of special effects, reverb, heavy (and at times intrusive) rhythms, leavened with occasional flashes of the remarkable improviser he can be and often is. To help ...
Continue ReadingGeorge Freeman: The Good Life
by Jack Bowers
For guitarist George Freeman, The Good Life has also been a long life. He was a nimble-fingered ninety-five-year-old plectrist when this splendid album was recorded in May and June 2022, which makes it all the more grievous to know it would be organ maestro Joey DeFrancesco's last recording date; he died of a heart attack some three months later at the relatively young age of fifty-one. Freeman leads two trios here, the first with DeFrancesco on organ ...
Continue ReadingJeremy Pelt: The Art of Intimacy, Vol. 2/His Muse
by Jack Bowers
Trumpeter Jeremy Pelt's album, The Art of Intimacy, Vol. 2, is a hybrid: nearly one-half jazz quartet (quintet on one track), more than the other half quartet with strings. Strangely enough, the strings are nowhere listed on the album jacket, nor are Pelt's colleagues in his quartet. One has to read an accompanying press release from HighNote Records to learn that they are pianist Victor Gould, bassist Buster Williams and drummer Billy Hart (with guitarist Chico Pinheiro added on the ...
Continue ReadingWallace Roney: Understanding
by John Kelman
With the concept of mentoring an increasingly forgotten part of how young, up-and-coming musicians cut their teeth--learning from older, more experienced musicians before heading out into the world as leaders--the jazz world needs more people like Wallace Roney. One look at every record the trumpeter has made since signing with HighNote in 2004, with Prototype the first of seven albums culminating in the album you're now holding in your hands, and it's clear that Roney takes the concept of mentoring ...
Continue ReadingTom Harrell: Number Five
by John Kelman
"If it ain't broke, don't fix it," they say, and since coming to HighNote in 2007, trumpeter Tom Harrell has lived by that old adage, utilizing the same quintet for its auspicious debut, Light On, and three subsequent recordings, culminating in 2011's outstanding Time of the Sun. Number Five continues Harrell's winning streak with the same line-up, but if each successive recording has reflected the ongoing growth of one of today's most compelling small groups--the chemistry deeper and the interaction ...
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