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Eddie Henderson: Witness To History
by Mike Jurkovic
Make no mistake: it is the hot buttered soul, “Shaft"-like theme of “Scorpio Rising" that first snags one's attention. But once snagged, the old cool sets in and Witness To History, trumpeter Eddie Henderson's self curated soundtrack, unwinds with a wicked fervor. A deep, wicked joy. Henderson--who has pretty much seen it all from the impulsive, jazz rock Realization (Capricorn, 1973) through The Cookers to the still palpable Shuffle and Deal (Smoke Avenue, 2020)--looks back for a PBS ...
read moreSteve Davis: Steve Davis Meets Hank Jones, Vol. 1
by Dave Linn
Trombonist Steve Davis was born in Worcester, MA, in 1967, and in 1989 graduated from Hartt School's Jackie McLean Institute. It was McLean's guidance and recommendation which allowed Davis to land his first major performance with Art Blakey in NYC. His lyrical, hard-swinging style gained him broad recognition and, in 1998, he won the TDWR (Rising Star) Trombone Category. He was later named in the top five of the Trombonist of the Year by The Jazz Journalist Association from 2010-2013, ...
read moreEddie Henderson: Witness To History
by Dave Linn
Dr. Eddie Henderson, 82 years old at the time of writing in 2023, has one of the most interesting stories in modern jazz and is a true Renaissance man. His parents were entertainers; his mother was a dancer at the original Cotton Club while his father was a member of the popular singing group Billy Williams and the Charioteers. Later, his stepfather was a doctor to Miles Davis, John Coltrane and Duke Ellington. When he was nine years old, his ...
read moreJoe Farnsworth: In What Direction Are You Headed?
by Dave Linn
Joe Farnsworth grew up in a musical family and began playing drums at a young age. He later attended and graduated from William Patterson College in New Jersey, where the staff included Harold Mabern and Cedar Walton, who would prove instrumental in kick-starting his career. He landed a gig with Benny Golson that lasted eight years and went on to become an in-demand name. His style is deeply rooted in the bebop and hard bop traditions, characterized by a driving ...
read moreMary Stallings: Songs Were Made to Sing
by Dave Linn
One of eleven children, Mary Stallings was born in San Francisco in 1939. In her teens, she began singing in San Francisco night clubs and performed with Ben Webster, Earl Hines, Red Mitchell, Teddy Edwards, and Wes Montgomery. Before graduating from high school, she joined R&B singer Louis Jordan's Tympani Five. In the early '60s, she performed with Dizzy Gillespie at both the Black Hawk nightclub and the 1965 Monterey Jazz Festival. Her debut album was Cal Tjader ...
read moreWayne Escoffery: Like Minds
by Dave Linn
Wayne Escoffery was born in London and raised in New Haven, Connecticut. He began playing the saxophone at the age of 11, later studying at the Educational Center for the Arts in New Haven and the New England Conservatory of Music in Boston. In the late 1990s, Escoffery started gaining recognition on the jazz scene with his tenure in the Eric Reed Septet and later joining the Mingus Big Band. After completing his studies, Escoffery moved to New ...
read moreOrrin Evans: The Red Door
by Mike Jurkovic
A most generous craftsman, composer and bandleader, pianist Orrin Evans never fails to bring out the best of whoever he chooses to create with. The Red Door is gratefully, and gracefully, no exception to that rule. Whatever musical setting Evans chooses to practice his sinewy, r'n'b inflected post-bop in--sideman, big band, trio, quartet, duo, whatever--a sweet animation propels his music and buoys the players gathered around him. In this case the two core units feature bass legend Buster Williams, ...
read moreOrrin Evans: The Red Door
by Dave Linn
Orrin Evans released his debut album for quintet, “Justin Time," in 1996, at the age of 21. Over the next 25 years, Evans released over 20 albums in all shapes and sizes. From trio to standard ensembles to large bands and big bands, Evans' history included a ten-year stint as a member of the Mingus Big Band, leading to his formation of the Grammy-nominated Captain Black Big Band in 2009. Additionally, when pianist Ethan Iverson (who wrote the liner notes ...
read moreSteve Turre: Generations
by Dave Linn
Generations is a wonderful exploration of the bop and post-bop era. Steve Turre both looks back to his roots while encouraging the next generation of musicians to find their voice. It's a position he's eminently qualified for, considering the artists he has played with and his tenure as a long-time jazz educator. Trombone players have a unique place in the sound created in a small jazz band. Their parts helped blend and define any given melody. On this ...
read moreSteve Davis: Correlations
by C. Andrew Hovan
Surely it must be considered a milestone to chalk up Correlations as Steve Davis' 20th session as a leader. Just contemplate how much the world has changed since the trombonist started turning heads as a member of Art Blakey's Jazz Messengers back at the start of the '90s. The record business in particular occupies a vastly different landscape than was once the norm, a fact that figures all the more prominently in the precarious nature of recorded jazz. As such, ...
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