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9
Album Review

Miguel Zenon: Musica De Las Americas

Read "Musica De Las Americas" reviewed by Dan McClenaghan


Alto saxophonist Miguel Zenon has made a career out of exploring his Puerto Rican roots, with albums like Alma Adentro: The Puerto Rican Songbook (Marsalis Music, 2011), Tipico (Miel Music, 2017) and Yo Soy La Tradicion (Miel Music, 2018). With Musica De Las Americas he broadens his vision to celebrate the history of the American continents, north and south, as well as the multiplicity of America's Atlantic Ocean islands, to delve into the history of this expanse of lands--before and ...

12
Album Review

Miguel Zenón: Law Years: The Music of Ornette Coleman

Read "Law Years: The Music of Ornette Coleman" reviewed by John Chacona


How do you hear Ornette Coleman's music? As an unlikely but logical extension of bebop vocabulary? As “free" chaos untethered from harmony? As a tributary of the great stream of Texas saxophonists? As jazz's purest melodism? The music of Coleman, who would have turned 91 years on March 9 2021, was all of those things and many more. Why shouldn't a body of work that presents so many points of entry be as ubiquitous on record as that ...

6
Album Review

Miguel Zenon: Sonero: The Music of Ismael Rivera

Read "Sonero: The Music of Ismael Rivera" reviewed by Mark Corroto


It is not possible to listen to Sonero: The Music of Ismael Rivera by alto saxophonist Miguel Zenón without triggering thoughts of another altoist, Charlie Parker. Like Parker, Zenón has that quicksilver processing of thought and expression, but more relevant is that both artists can render any style of music into the jazz idiom. Where Parker dealt with Latin music in a macro sense, Zenón gets down to a micro level. It's only natural for the San Juan born, Guggenheim ...

5
Album Review

Miguel Zenon: Yo Soy La Tradicion

Read "Yo Soy La Tradicion" reviewed by Jerome Wilson


Alto saxophonist Miguel Zenon has undertaken several projects over the years exploring the folk music traditions of Puerto Rico, but he takes that to a new level with this work featuring the string playing of Chicago's Spektral Quartet. The interplay of saxophone and strings here sometimes recalls the lush conversations of the classic Stan Getz / Eddie Sauter project, Focus (Verve, 1961) or Charlie Parker's recordings with strings, but this feels more like an equal musical partnership. The quartet interacts ...

7
Album Review

Miguel Zenon: Yo Soy La Tradicion

Read "Yo Soy La Tradicion" reviewed by Mark Corroto


As a rule, it is best to encounter a piece of music with an appreciation of its provenance. For jazz listeners, even though the act of listening is an exercise in discovery, roots are rarely an issue. That is, until an artist delivers something novel. Such is the case with Yo Soy La Tradicion by saxophonist Miguel Zenón. The Guggenheim and MacArthur Foundation Fellowships recipient was commissioned in 2016 by the Hyde Park Jazz Festival to compose a suite for ...

4
Album Review

Miguel Zenon: Yo Soy La Tradicion

Read "Yo Soy La Tradicion" reviewed by Dan McClenaghan


With You Soy La Tradicion, alto saxophonist Miguel Zenon digs deep into his Puerto Rican roots with an exploration of his take on the “jazz with strings" genre. This is his eleventh CD release as a leader. He dabbled in the approach with Awake (Marsalis Music, 2008), adding a string quartet to his jazz quartet on a handful of the disc's tunes. Yo Soy La Tradition is a purer string/horn experience--just Zenon's golden-toned alto sax joining forces with the Spektral ...

9
Album Review

Miguel Zenon: Tipico

Read "Tipico" reviewed by Mark Corroto


The saying “like butta" comes to mind when listening to the alto of saxophonist Miguel Zenón. His tone has the consistency of velvety cream, with nary a sour note. Hearing him in the context of his long-standing quartet, we get something like the voguish bulletproof coffee, which consists of butter, whipped into your favorite cup of joe. Such is Tipico, a graceful outing with a caffeinated blast.This stimulant is made possible because Zenón's quartet of pianist Luis Perdomo, ...

14
Album Review

Miguel Zenon: Tipico

Read "Tipico" reviewed by James Nadal


The vintage cover photograph on Tipico, of Puerto Rican musicians, might lead one to believe that this is a continuance of alto saxophonist Miguel Zenón's jazz adaptations revolving around his heritage and homeland. But this is not the case. On this release, he hones in on his bandmates, and the music is centered on what each individual member contributes to the ensemble, and overall sound. His quartet for over a decade now is comprised of pianist Luis Perdomo, ...

15
Album Review

Miguel Zenon: Identities Are Changeable

Read "Identities Are Changeable" reviewed by Mark F. Turner


It would simply be enough to just hear Miguel Zenón's saxophone; its fluid, darting, humming bird-like maneuvers, soulful and piercing. Yet as one of the most distinctive altos in jazz, the Grammy nominated and Guggenheim and MacArthur Fellow is also a gifted composer who continues to deliver insights into his culture as vividly expressed in 2011's Alma Adentro: The Puerto Rican Songbook and 2009's Esta Plena, both released on Marsalis Music. His ninth recording as a leader, ...


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