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Album Review

Jim Widner Big Band: And the Beat Goes On

Read "And the Beat Goes On" reviewed by Jack Bowers


Bassist Jim Widner formed his band in 1987 to carry on the legacy of summer jazz camps established by bandleader Stan Kenton in the early '60s. Since then the band has added touring and recording to its resume; And the Beat Goes On, the ensemble's sixth CD for the Chase Music Group, was recorded in June 2012 to commemorate its twenty-fifth anniversary. That's quite a long time in big-band years, especially when one takes into account deaths and other personnel ...

199
Album Review

Doug Munro: Big Boss Bossa Nova 2.0

Read "Big Boss Bossa Nova 2.0" reviewed by Ken Dryden


Doug Munro's sixth CD for Chase Music Group is a return to a traditional bossa nova trio, dropping the keyboards or sax utilized on most of his earlier projects. He is joined by bassist Michael Goetz, with Jason Devlin and Jason Anderson sharing the drum chair, all who primarily play supporting roles. The guitarist has a light touch and generally stays close to the melody on most tracks, opening with a shimmering treatment of Chick Corea's “Spain" ...

181
Album Review

Doug Munro: Big Boss Bossa Nova 2.0

Read "Big Boss Bossa Nova 2.0" reviewed by Edward Blanco


Veteran jazz guitarist Doug Munro presents an encore performance to his critically acclaimed Big Boss Bossa Nova (Self Published, 2004), recording another monster of an album with Big Boss Bossa Nova 2.0. With four originals and a select repertoire of uncommon standards, BBBN2.0 is a more bare bones session than the more highly orchestrated BBBN, done in an intimate trio setting and showcasing Munro at his best.

Featured with the guitarist are bassist Michael Goetz and drummer Jason ...

191
Album Review

The Jim Widner Big Band: Out of This World

Read "Out of This World" reviewed by Jack Bowers


Bassist Jim Widner, who set the bar incredibly high on his earlier albums as leader of the Jim Widner Big Band (there have been four), clears it handily again on Out of This World, whose name graphically underscores the ensemble's impressive strength and solidarity as well as the album's abundance of superlative charts and hair-raising solos. There are no poll-winners on the premises, simply a group of anonymous blue-collar workers who park their egos at the door and strive together ...

323
Album Review

Lou Marini & the Magic City Jazz Orchestra: Lou's Blues

Read "Lou's Blues" reviewed by Jack Bowers


Lou's Blues, an exercise in ultra-modern composing, arranging and blowing by Lou Marini Jr. and the Magic City Jazz Orchestra, may bring a smile to the face of many big-band enthusiasts and leave others shaking their heads in bewilderment. It depends on one's point of view. Marini, whose influences include blues, rock and free jazz as well as more traditional rhythms, harmonies and lyrical devices, lays them all on the table in eight inclusive charts that resist easy appraisal or ...

135
Album Review

The Jim Widner Big Band: Flying High...

Read "Flying High..." reviewed by Jack Bowers


Something was bothering me as I listened to “Juba,” the adrenalizing opening track on the fourth and most recent album by bassist Jim Widner’s world-class big band. It was Phil DeGreg’s piano. Not the comping—Phil’s too capable for that—but the piano itself, unusually clanky and far too prominent in the mix. Rather than chaperoning quietly in the background, the piano was drawing attention to itself—never a good sign—as alto saxophonist Dave Pietro and trumpeter Dave Scott soloed. ...

239
Album Review

Charlie Shoemake Trios & Quartets: Vibes Master

Read "Vibes Master" reviewed by J. Robert Bragonier


asked to name favorite vibraphone players—and I am as guilty as anyone here— Charlie Shoemake’s name is mentioned all too infrequently. For more than 45 years, Shoemake has made his home on the West Coast, and word of his abilities seems never to have made it all the way to New York. An artist who eschews vibrato, as did Red Norvo, Shoemake has a glistening sound, exquisite taste, and boppish sensibilities; his biggest jazz influence has been Charlie Parker, with ...

154
Album Review

Julie Kelly: Into The Light

Read "Into The Light" reviewed by Jerry D'Souza


Julie Kelly records all too infrequently. When a new album comes out, it is well worth looking forward to. She has not disappointed over the course of five records that have taken in jazz standards and new tunes with a sure-fire disposition that profiles a singer with heart.

Over the course of her long career Kelly has sung in a band with John Handy and has recorded with Ray Brown, Nat Adderley and Benny Green. Pretty good credentials, but it ...

171
Album Review

The Charlie Shoemake Trios: Lands End

Read "Lands End" reviewed by Jack Bowers


Talk about your talents deserving wider recognition. Vibraphonist Charlie Shoemake, now in his 60s, has been making beautiful music for more than forty–five years but is almost unknown (except to musicians) beyond his home base in southern California. Perhaps this splendid bop–based album may help change that. Shoemake, a first–call studio musician on the Hollywood / Los Angeles scene for many years, moved more than a decade ago with his wife, singer Sandi Shoemake, to Cambria, CA, where they’ve been ...

116
Album Review

Julie Kelly: Into The Light

Read "Into The Light" reviewed by AAJ Staff


Julie Kelly.."Into The Light"...CMG Release.. It was a Sunday evening a few months ago, when I walked into the 66 California jazz club and heard Julie Kelly sing for the first time. I was immediately taken with the hipness of her style, the choice of tunes and most of all the slick scatting. I came for a beer and stayed for the whole gig. This CD reflects all of the artistry I heard that night. The musicians who accompany Miss ...


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