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4
Album Review

Peter Madsen Trio: Faces of Love

Read "Faces of Love" reviewed by Troy Dostert


Although its title might suggest a surfeit of sentimentalism or saccharine balladry, there is nothing mawkish about pianist Peter Madsen's latest trio offering. Madsen instead is seeking a wider perspective from which to explore love in all its forms, drawing inspiration from a panoply of sources both familiar (Shakespeare, Dickinson, Blake) and not-so-familiar (Indian poet-activist Sarojini Naidu, Japanese poet Ono no Komachi). Accompanied by his stellar partners, bassist Herwig Hammerl and drummer Martin Grabher, the results are a stirring set ...

7
Album Review

Jason Robinson: Ancestral Numbers II

Read "Ancestral Numbers II" reviewed by Pat Youngspiel


Jason Robinson's Ancestral Numbers is “a sound meditation on genealogy and family history" and will comprise an “ongoing series of compositions for varying instrumentation." “I" and “II" are merely the starting point for an intimate investigation into the depths of the saxophonist's family tree, set in motion shortly after the passing of Robinson's grandmother. Accompanying the saxophonist/composer on this personal endeavour is a cast of top-drawer players, including Drew Gress on bass, Michael Dessen on trombone, pianist Joshua White and ...

18
Album Review

Jason Robinson: Ancestral Numbers II

Read "Ancestral Numbers II" reviewed by Terence Collie


Ancestral Numbers II is saxophonist, flautist and composer Jason Robinson's second album of music reflecting on his ancestry, following the May 2024 release of Ancestral Numbers I. The album launches with “Sweet Tooth," a simple but compelling composition that starts with a vamp. Opening melodic statements--with saxophone and trombone playing together over infectious piano and bass hits propelled by the energetic drums--then move into a hard swinging walking bass section. Pianist Joshua White takes the first solo, followed ...

103
Album Review

Jason Robinson: Ancestral Numbers I

Read "Ancestral Numbers I" reviewed by Glenn Astarita


Ancestral Numbers I by Jason Robinson is a jazz album that feels like a deep, reflective conversation with history itself. With his saxophone, Robinson pays homage to the jazz tradition and his family heritage, crafting a sound that's both personal and expansive. The journey begins with “Second House," where the all-star ensemble, featuring pianist Josh White peppering the hornists, lays down a groove that's as profound as it is inviting. The track quickly establishes a soulful theme, with ...

3
Album Review

Michael Musillami Trio: Block Party

Read "Block Party" reviewed by Troy Dostert


A relentlessly active and inventive guitarist whose first recordings date back to the '80s, Michael Musillami began to hit his stride in the '90s alongside veterans of the New York downtown scene such as bassist Mario Pavone, drummer Michael Sarin and saxophonist Thomas Chapin. But one of his foremost partnerships took shape in the early 2000s, when he first teamed with bassist Joe Fonda and drummer George Schuller, themselves long-standing veterans of creative jazz. Twenty years and ten albums later, ...

4
Album Review

Peter Madsen's CIA Trio: 88 Butterfly

Read "88 Butterfly" reviewed by Mike Jurkovic


Veteran pianist & composer Peter Madsen, despite having accompanied or mentored such leading lights and legends as Chris Potter, Maria Schneider, Ravi Coltrane, Stan Getz, Roy Hargrove and Benny Golson, seems to prefer a career flying under the proverbial radar. But there is always something to write home about when his new music comes down the pike. 88 Butterfly, his second full outing with his CIA trio of double bassist Herwig Hammerl and drummer Martin Grabher is no exception.

4
Album Review

Peter Madsen's CIA Trio: 88 Butterfly

Read "88 Butterfly" reviewed by Dan McClenaghan


Many jazz artists find butterflies inspiring. Pianist Herbie Hancock recorded “Butterfly" for his Thrust album for Columbia Records in 1974. In 1993 guitarist Russell Malone released his Black Butterfly (Columbia Records), the title tune a rendition of a Duke Ellington/Irving Berlin composition; and the Chick Corea + Steve Gadd Band offered up the album Chinese Butterfly (Concord Music Group) in 2018. There are many more examples. Those three cited albums didn't immerse themselves in the butterfly; it was ...

1
Album Review

Jason Robinson: Harmonic Constituent

Read "Harmonic Constituent" reviewed by Mark Corroto


If you've ever visited Mendocino County you would have a head start to appreciate saxophonist Jason Robinson's Harmonic Constituent. His week-long retreat to this magnificent Northern California coast inspired this ambitious and diverse recording. Robinson, a musical omnivore previously recorded with the quartet Cosmologic, his Henry Threadgill inspired Janus Ensemble, in duos with Anthony Davis and Eric Hofbauer, and in electro-acoustic settings, to name just a few of his diverse interests. Robinson's quartet here includes pianist Joshua White ...

2
Album Review

Michael Musillami and Peter Madsen: Pictures

Read "Pictures" reviewed by Troy Dostert


Guitarist Michael Musillami and pianist Peter Madsen have long traveled in the same circles, with Musillami's Playscape label showcasing both musicians in a number of their independently derived projects. But they don't often get to work side-by-side. Aside from Musillami's sextet record, Dachau (Playscape, 2006), the two have only appeared together previously on duo disc, Part Pitbull (Playscape, 2002). Their scintillating renewed partnership on Pictures shows the intervening years have done nothing to diminish their intuitive chemistry and first-rate technical ...

4
Album Review

Michael Musillami and Rich Syracuse: Dig

Read "Dig" reviewed by Troy Dostert


Guitarist Michael Musillami and bassist Rich Syracuse continue their engagement with the titans of the jazz world with Dig, their homage to Bill Evans. Like the discs that preceded it, Of The Night (Playscape, 2016), dedicated to Wayne Shorter and Bird Calls (Playscape, 2017), their salute to Charles Mingus, the duo approach this repertoire with both reverence and imagination, producing treatments that avoid simply capitulating to Evans' genius by opening his tunes to creative scrutiny. It's noteworthy that ...


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