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7
Album Review

Joe Harriott-Amancio D’Silva Quartet: Hum Dono

Read "Hum Dono" reviewed by Duncan Heining


All credit to Dutton Vocalion for making Hum Dono available again. It's open to question, of course, whether the record should be seen as a Harriott date at all. The Goan guitarist, Amancio D'Silva, is certainly more than a junior partner here and provides five of the record's six tunes, as well as shaping its whole vibe. The only track credited to Harriott is the short improvised duet with drummer Bryan Spring, “Sping Low, Sweet Harriott." Perhaps Hum Dono is ...

3
Extended Analysis

John Dankworth: What The Dickens! / Off Duty!

Read "John Dankworth: What The Dickens! / Off Duty!" reviewed by Duncan Heining


John DankworthWhat The Dickens! / Off Duty!Dutton Vocalion2012 (1963/1969)This reissue contains two very different prospects. Off Duty!is really Dankworth-lite. What The Dickens!, by contrast, is the real thing and one of four fine suites the orchestra recorded in the '60s-that's counting wife Cleo Laine's Shakespeare and All That Jazz(Fontana, 1964) here as well. Dankworth's work often invites admiration in critics first and only pleasure and deeper satisfactions later. Perhaps to some, he ...

4
Extended Analysis

Harold McNair: Harold McNair / Flute & Nut

Read "Harold McNair: Harold McNair / Flute & Nut" reviewed by Duncan Heining


Harold McNair Harold McNair / Flute & Nut Dutton Vocalion 2012 (1968/1969)The story of Jamaican saxophonist/flautist Harold McNair is one of the great “what-might've-beens" of British jazz. He was, by all accounts, a charming, well-mannered guy with a beautiful sound on tenor, alto and, in particular, on flute, and the music just flowed through him. McNair did a lot of session work, toured with Donovan-that's him on the troubadour's In Concert (Pye) album from ...

3
Extended Analysis

Joe Harriott Quintet: Movement / High Spirits

Read "Joe Harriott Quintet: Movement / High Spirits" reviewed by Duncan Heining


Joe Harriott QuintetMovement / High Spirits Dutton Vocalion2012 (1963/1964)The acquisition, ownership and handling of a back catalogue of classic British jazz from the sixties by first Polygram and then Universal is a story of meanness and incompetence. It meant that key recordings by the likes of saxophonists Joe Harriott and John Surman, pianists Mike Westbrook and Stan Tracey, the Don Rendell-Ian Carr Quintet and quite a few others have either never been ...


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