Jazz Articles
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Deadeye: Deadeye
by Bruce Lindsay
Many years ago, jazz combos simply called themselves after one of their number: the Dudley Moore Trio, the Miles Davis Quintet, and so on. The tradition still lingers, but even a well-established format such as the Hammond organ trio must sometimes follow the modern trend of adopting a name that is at once original and also opaque. Hence Deadeye, a trio consisting of Kit Downes on organ, Reinier Baas on guitar and Jonas Burgwinkel on drums. Why Deadeye? Who knows? ...
read moreShane Cooper & Mabuta: Finish The Sun
by Dan Bilawsky
On Mabuta's debut—Welcome To This World (Afrosynth Records, 2018)—South African bassist, electronic musician and composer Shane Cooper introduced ears to a leading-edge ensemble intent on delivering trippy, dance-friendly designs. Now, with this second album, he doubles down on that core concept, delivering a heap of hip groovers which draw strength from Pan-African influences and ride high in the atmosphere, twirling atop a rotating cast of drummers plucked from points across the eastern hemisphere. Kicking things off with ...
read moreBenjamin Herman: Hypochristmastreefuzz (Special Edition)
by Bruce Lindsay
Since Esquire voted alto saxophonist Benjamin Herman Best Dressed Dutchman 2008, most reviews of his music have felt compelled to mention the award, and this review is no exception. Of course, such sartorial fripperies would be barely worthy of comment if Herman couldn't actually play. But play he can--whether he's flying like Charlie Parker on “Hypochristmastreefuzz," blowing rhythm 'n' blues style on “Brozziman," or adding mournfully to the funereal sound of “Arm Weil." Hypochristmastreefuzz was originally released ...
read moreWouter Hamel: Nobody's Tune
by Guy Zinger
Wouter Hamel is a young vocalist of Dutch origin, touring the world successfully with his laidback and velvety sound. He surrounds himself with pop harmonies and rhythm lines, bridging the gap between jazz and pop in his own special way. Nobody's Tune, his second CD, is a cross between the musical fields of The Beatles' Sgt. Pepper's Lonely Hearts Club Band (Apple, 1967) and a young crooner, with Hamel phrasing his songs and producing his lovely voice in a modern ...
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