Articles by Bob Bernotas
The Best of Basie
by Bob Bernotas
In 1935, pianist William “Count" Basie (born August 21, 1904), a fixture on the Kansas City jazz scene since the late 1920s, organized his own rocking, riffing, blues-based big band. The following year this freewheeling unit came east and took New York by storm. For the next decade and a half, Basie's stellar cast--which included such original jazz stylists as tenor saxophonists Lester Young and Herschel Evans, trumpeters Buck Clayton and Harry “Sweets" Edison, trombonist Dicky Wells, drummer Jo Jones, ...
Continue ReadingClarinet
by Bob Bernotas
When you hear the phrase, “New Orleans jazz," what three instruments immediately come to mid? That's right: cornet, trombone, and clarinet. In those early jazz combos, the clarinet provided a soaring, high register obbligato that enhanced, and, in the hands of the amazing Sidney Bechet, challenged, the cornet's lead line. A decade or so later, the clarinet occupied a rightful place as one of the signature instruments of the big band era, serving as a distinctive tone color in the ...
Continue ReadingTenor Saxophone
by Bob Bernotas
Invented in the early 1840s, the saxophone was a relative latecomer to music--and to jazz. But starting in the mid-1920s, with the rise of the big bands, the instrument slowly but steadily evolved from a vaudeville novelty into a staple in the mainstream of jazz. Of the different varieties of saxophone, the tenor and the alto have been the most widely used, the baritone and soprano somewhat less so. During the decade, Coleman Hawkins appeared as the first important tenor ...
Continue ReadingTrombone
by Bob Bernotas
The trombone was an essential component of the brass parade bands that were a staple of black social and cultural life in many southern cities around the turn of the twentieth century. As these bands evolved into collectively improvising jazz ensembles, the trombone became an equal partner of the clarinet and cornet, filling in the root notes of the harmony and providing a low-register counterpoint to the melody line. The first black jazz band from New Orleans to record was ...
Continue ReadingAlto Saxophone
by Bob Bernotas
Of the many members of the saxophone family, the alto and tenor have emerged as its most prominent siblings. From the mid-1920s onward, many big band alto saxophonists have filled a dual role, best personified by the multi-talented Benny Carter, serving as the lead voice in the saxophone section as well as a featured solo improvisor. During that same time, Johnny Hodges began to reveal the alto's soulful, sensual character, applying the instrument to both ballads and blues.
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