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John King: 10 Mysteries
by Wilbur MacKenzie
The point where composition and improvisation meet is often a quite perforated boundary. For a composer looking to engage performers as both interpreters of composed music and also as improvisers, the question of notation becomes of great importance. Composers have long looked to implement systems that determine certain aspects of a performer's behavior but leave other issues up to chance. This leads to a different gray area: the often equally ambiguous boundary between improvisation and indeterminacy. This distinction usually has ...
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