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Jazz Articles about Chuck Israels

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Book Review

Bass Notes: Jazz In American Culture, A Personal View

Read "Bass Notes: Jazz In American Culture, A Personal View" reviewed by Harvie S


Bass Notes: Bass Notes: Jazz In American Culture, A Personal View Chuck Israels 240 Pages ISBN: 1493074849 Backbeat Books 2024 Chuck Israels developed musically in what many would say was an extremely fertile time in Jazz. I'm talking about the 1960s. Of course, his stint with Bill Evans during those years does stand out, but there is so much more. In Bass Notes, Israels has written a book that is aimed ...

8
Album Review

Bill Evans: Tales: Live in Copenhagen (1964)

Read "Tales: Live in Copenhagen (1964)" reviewed by Mike Jurkovic


Maybe it is and maybe it isn't as historical in scope as some of the previous ten archival Bill Evans releases from that master of jazz discovery, Zev Feldman, and Evans' estate, but Tales: Live in Copenhagen (1964) is sure fire proof you got nothing but the best on any given night at any given gig by Evans and his cohorts. From the get go, this set--recorded by Evans, bassist Chuck Israels and drummer Larry Bunker at Danish ...

5
Liner Notes

Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited

Read "Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited" reviewed by Chris May


Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, was not shy about coming forward with similar (questionable) claims. Evans was the first to meet Russell when, in late 1955, ...

24
Album Review

Bill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)

Read "Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)" reviewed by Chris May


Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...

10
The Jazz Life

My Early Years With Bill Evans, Part 3

Read "My Early Years With Bill Evans, Part 3" reviewed by Chuck Israels


Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his ...

10
The Jazz Life

My Early Years with Bill Evans, Part 2

Read "My Early Years with Bill Evans, Part 2" reviewed by Chuck Israels


Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts Institute of Technology provided access to the considerable jazz activity in Boston where Herb Pomeroy, Charlie Mariano, Joe Gordon, Serge Chaloff and bassist John ...

18
The Jazz Life

My Early Years With Bill Evans, Part 1

Read "My Early Years With Bill Evans, Part 1" reviewed by Chuck Israels


Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his ...


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