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Jazz At LACMA: 30 Years Of Friday Night Jazz
by Chuck Koton
For more than thirty years, the Los Angeles County Museum of Art (LACMA) has been presenting a free, swinging jazz concert every Friday evening. During that time so many jazz clubs in the Los Angeles area have come and gone: the Vine Street Bar and Grill, Charlie O's, Spazio's and Cafe Metropol, among others, have all shut their doors. In 2009, landlord greed forced the Jazz Bakery out of their long-time home and, more recently, Covid killed Joon Lee's Blue ...
read moreBobby Bradford and Friends: Stealin' Home: Jackie Robinson Suite
by Chuck Koton
Born in Mississippi in 1934 and raised in Dallas, Texas, cornet master and composer Bobby Bradford knows racism and segregation. When asked if Texas was completely segregated, Bradford said, If there's a word stronger than 'completely,' that was Texas." In spite of the hate and discrimination of everyday life in the Jim Crow South, Bradford and his family were tuned in to events around the country that impacted African Americans. They got the news from the outside world" from Black ...
read moreRoberto Miranda's Home Music Ensemble: Live at the Bing Theater; Los Angeles, 1985
by Karl Ackermann
Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at the USC campus auditorium, the sound is pristine, and the ambiance, eclectic and dynamic. Miranda studied bass with Ray Brown and Red ...
read moreBobby Bradford / Frode Gjerstad / Kent Carter / John Stevens: Blue Cat
by John Sharpe
Following on from Day Two (2019), the Lithuanian NoBusiness imprint issues another archive tape by Detail, the collective founded by Norwegian reedman Frode Gjerstad and English drummer John Stevens. By 1991 when this live set was captured, original bassist Johnny Dyani had died and had been replaced by expatriate American Kent Carter. Also on the album and deserving top billing was special guest cornetist Bobby Bradford, a onetime sideman to Ornette Coleman, who had toured and recorded with the previous ...
read moreBobby Bradford-Hafez Modirzadeh Quartet: Live At The Blue Whale
by Alberto Bazzurro
Bobby Bradford, classe 1934, un passato accanto ad autentici giganti, da Ornette Coleman (in particolare l'epocale Science Fiction, anno di grazia 1971) a John Carter (ripetutamente), tanto per fare solo due nomi, si unisce al più giovane sassofonista Hafez Modirzadeh per dirigere questo pregevole quartetto, nella cui musica (nello specifico ripresa dal vivo nel locale del titolo nel gennaio 2017) si colgono le stimmate di buona parte di quanto il jazz (almeno una sua importante costola) ci ha fatto respirare ...
read moreBobby Bradford / Hafez Modirzadeh Quartet: Live At The Blue Whale
by John Sharpe
This is the third album from the fertile pairing of cornetist Bobby Bradford and reedman Hafez Modirzadeh. Each time they have been joined by a different rhythm section: Ken Filiano and Royal Hartigan on Live At The Magic Triangle (NoBusiness, 2017), and Mark Dresser and Alex Cline on Live At The Open Gate (NoBusiness, 2016). This time out the team stoking the engine room comprises bassist Roberto Miranda and drummer Vijay Anderson. In keeping with past sessions, everyone brings charts ...
read moreBobby Bradford - Hafez Modirzadeh: live at the Blue Whale
by Glenn Astarita
Cornetist Bobby Bradford (Ornette Coleman, Eric Dolphy, John Carter) has been a pivotal figure in the new" jazz leanings on the U.S. West Coast and the global panorama, performing with the best and brightest. Since 2016, Bradford co-leads a quartet with reedman and musicologist Hafez Modirzadeh (Amir ElSaffar, Rudresh Mahanthappa), supplemented by the strong and impassioned rhythm section, featuring A-list session artists, drummer Vijay Anderson and bassist Roberto Miguel Miranda. As expected, Bradford's masterful use of space allows ...
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