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Samuel Blaser: Routes
by Chris May
The Jamaican trombonist Don Drummond (1934-1969), the inspiration for Routes, was in certain respects a mid-twentieth Jamaican parallel of the New Orleans cornetist Buddy Bolden (1877-1931). Bolden pioneered jazz in the US, Drummond in Jamaica. Both achieved mythic proportions during their lifetimes and both their legends endure. Both, tragically, spent their final years in what were then called insane asylums. One difference between the two musicians is that, while no recording of Bolden has survived, if indeed ...
read moreSamuel Blaser, Aka Moon, Michael Blake, La Marmite Infernale & Other New Releases
by Ludovico Granvassu
Around the world in a playlist, which features Latin and Caribbean influeces, touches of Indian music, spiritual jazz, Brazilian aromas, microtonal atmospheres, and visceral electro-acoustic outbursts. Happy listening! Playlist Ben Allison “Mondo Jazz Theme" 0:00 The Kevin Fingier Collective “Latin Dynamite" Latin Dynamite--Single (Acid Jazz) 0:16 Host talks 3:04 Samuel Blaser “Chronicles" Routes (Yellowbird/Enja) 4:46 João Selva “Passarinho" Passarinho--Single (Underdog) 9:16 Host talks 13:35 Michael Blake's Chroma Nova “Little Demons" Dance of the Mystic Bliss (P&M) ...
read moreSamuel Blaser: As the Sea
by John Kelman
Plenty has been written about musical camaraderie--the building of long-term musical relationships and their unmistakable impact on the evolution of a group. Few, however, discuss the inevitable impact of personal relationships behind the music. Times have changed, and few jazz groups tour for more than a couple of consecutive weeks; still, hitting the road for even two weeks is sure to mean plenty of “up close and personal" time amongst band members. Samuel Blaser's Boundless (hatOLOGY, 2011) was recorded during ...
read moreBlaser Ducret Bruun Trio at Hakasalmen Huvila
by Anthony Shaw
Blaser Ducret Bruun Trio Hakasalmen Huvila Finnish Tour Helsinki November 14, 2022 Samuel Blaser has a glittering past, with glowing reviews of his considerable career in journals from around the globe. The performance of his trio in this modest-but-elegant salon a stone's throw from Helsinki's main railway station, alongside his old accomplices Marc Ducret on guitar and Peter Braun on drums did nothing if not bolster the virtuoso reputation he has garnered.
read moreAlban Darche: Le Gros Cube #2
by Alberto Bazzurro
La passione di Alban Darche, quarantasettenne tenorsassofonista e compositore bretone, per i grossi organici è nota: ce ne siamo già occupati diverse volte, su queste colonne. Questo suo ultimo lavoro, edito come d'uso su Yolk Music, non fa eccezione: diciotto elementi, big band che più classica non si potrebbe. Per una volta (almeno rispetto al passato) anche in quanto a linguaggio espressivo-espositivo, che si riconnette mani e piedi alla grande tradizione orchestrale, inserendo i soli, che ovviamente non mancano, sopra ...
read moreSebastien Ammann's Color Wheel: Resilience
by Alberto Bazzurro
Lo svizzero Sebastien Ammann, di professione pianista e compositore, guida in questo elegante, solido album un quintetto dalle geometrie ben definite e dai percorsi espressivo-espositivi conseguenti. Magari non vi si respirerà tutta l'originalità di questa terra, ma il lavoro d'insieme (soprattutto) è ottimamente congegnato e condotto, e sul piano solistico tutto procede analogamente, col trombone di Samuel Blaser una spanna sopra gli altri (peraltro sempre all'altezza della situazione). Subito l'iniziale “Yayoi" ci introduce eloquentemente entro i meandri ...
read moreSamuel Blaser: Purity of Purpose In All Things
by Doug Collette
One of trombonist/composer Samuel Blaser's more subtle talents is his uncanny ability to as fully distinguish himself accompanying other musicians as when he is leading theme. The prominence of a sideman is, by definition, not so great as the bandleader, producer etc, but to completely engage in the project of another is an exercise in generosity and humility as indispensable to the success of a given effort as the more tangible skills of playing an and improvising. On these three ...
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