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Jazz Articles about Kevin Brady

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Album Review

RBG Trio: RBG Trio

Read "RBG Trio" reviewed by Ian Patterson


From small acorns and all that. A Dublin gig in 2019 brought Ohio-raised, Derry-based saxophonist Meilana Gillard into the orbit of bassist Dave Redmond and drummer Kevin Brady. That became the springboard for an ongoing collaboration, pandemic be damned, that celebrates their mutual commitment with this fine debut album. All but two of the twelve straight-ahead originals are freshly minted, though the trio attacks these burners and ballads with the same swagger and intuitive feeling that are the hallmarks of ...

8
Album Review

Scott Flanigan: Clouded Lines

Read "Clouded Lines" reviewed by Ian Patterson


A hefty eight years separate Scott Flanigan's debut, Point of Departure (Self Produced, 2015), and Clouded Lines (SF Sounds, 2023). Not that Flanigan has been idle. In the intervening years the Belfast pianist has completed a Ph.D in jazz performance, recorded a duo album with French vocalist Fabrice Mourlon, co-founded a thriving Friday-night jazz club and, in his day to day life, juggles gigging and teaching schedules in Belfast, Dublin and Cork. Clouded Lines, the fruit of a joint commission ...

9
Album Review

The Kevin Brady Electric Quartet: Plan B

Read "Plan B" reviewed by Ian Patterson


Plan A, which is to say, leading his own acoustic band, has worked pretty well for Irish drummer Kevin Brady. A number of fine small ensemble recordings--with Ensam (Lpr Music, 2016) perhaps the pick of the bunch—has seen him marshal talents such as Bill Carrothers and Norma Winstone, touring the world in the process. With Plan B Brady plugs in and rocks out, taking wing on the back of 1970s-era Miles Davis and Herbie Hancock. It is not entirely new ...

7
Album Review

Fourth Function featuring The Phil Ware Trio: Happy Ever After

Read "Happy Ever After" reviewed by Ian Patterson


Fourth Function is the vehicle of Dublin vocalist/composer, multi-instrumentalist, writer, broadcaster and educator, Eamonn Lenihan. Backed by one of Ireland's finest rhythm sections in the form of bassist Dave Redmond, Kevin Brady and pianist Phil Ware, this five-song EP is a showcase for Lenihan's thought-provoking lyric songwriting and hip arrangements. Failing well to occupy any specific genre, Happy Ever After straddles shoe-gazing pop and chamber jazz—as if Earl Okin had smooched his way into the Modern Jazz Quartet.

8
Album Review

Larry Coryell: Larry Coryell's Last Swing With Ireland

Read "Larry Coryell's Last Swing With Ireland" reviewed by Ian Patterson


In his latter life, Larry Coryell was a frequent visitor to Ireland, where he would invariably hitch up with bassist David Redmond and drummer Kevin Brady, the esteemed rhythm team for the likes of Tommy Halferty, Bill Carrothers, Norma Winstone and Ian Shaw. In May 2016, during Coryell's last trip to Ireland, he entered Dublin's Hellfire Studios, with Redmond and Brady, to record what would be his final studio album. At around forty-five minutes in duration, Larry Coyell's Last Swing ...

7
Album Review

Kevin Brady: Ensam

Read "Ensam" reviewed by Ian Patterson


The trans-Atlantic trio of drummer/composer Kevin Brady, Bill Carrothers and Dave Redmond first came together in 2006, since when it has toured more frequently than it's recorded. Ensam (LRP Music, 2016), the group's third outing, following Common Ground (The Livingroom Project, 2007) and Zeitgeist (Fresh Sounds, New Talent, 2009), is an intimate three-way dialogue, with veteran English singer Norma Winstone adding lustre to several tracks. Brady--who penned all the original tunes--leaves an abundance of room for his colleagues to explore ...

Album Review

The Kevin Brady Trio featuring Bill Carrothers: Zeitgeist

Read "Zeitgeist" reviewed by AAJ Italy Staff


Tradotto dal tedesco, il titolo del disco ("spirito del tempo") è illuminante per capirne il senso e gli obiettivi. Un riflesso fedele della personalità artistica dell'irlandese Kevin Brady. Un artista che sa cogliere i mille rivoli della società post-moderna del suo tempo, per ricavarne suoni ed umori: Bill Evans ed il linguaggio post-boppistico; ma anche la tradizione europea, colta quanto popolare. Un disco diverso rispetto alle sue esperienze con gli “Organics," incentrate sulle calde e sanguigne sonorità del groove, tipiche ...


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