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Ehud Asherie Trio: Wild Man Blues
by Dan McClenaghan
Ehud Asherie must have an old soul. The pianist's 2016 release, Shuffle Along (Blue Heron Records), explored the music from the 1921 Eubie Blake/Noble Sissle Broadway musical, Wild Man Blues. The disc at hand opens with the title tune, penned by Louis Armstrong and recorded with his Hot Seven in 1927. A relaxed and gorgeous take on “Oh, Lady Be Good" comes to us from the Gershwin brothers, from the 1924 musical of the same name. Asherie is ...
read moreEhud Asherie: Shuffle Along
by Maurizio Zerbo
Il progetto intrapreso da Ehud Asherie per questo album è ambizioso; re-interpretare il songbook di “Shuffle Along," primo musical di Broadway di matrice afroamericana. Le musiche composte nel 1921 da Eubie Blake brillano di una nuova luce, in tutte le declinazioni filologiche (ragtime, stride) e moderne. Colpisce il sobrio souplesse del pianista israeliano nel rinverdire con garbo e virtuosismo mai ostentato tutta la cascata scintillante di note, insite nelle composite tessiture originarie. Questo CD ne mette in risalto il solismo ...
read moreEhud Asherie: Shuffle Along
by Dan McClenaghan
Israeli-born pianist Ehud Asherie delves deep into a quintessentially American Music on Shuffle Along. The score for the 1921 Broadway musical--tunes that were crafted before the beginning of a true “Popular" recording industry--was groundbreaking. Written by Eubie Blake and Noble Sissle, Shuffle Along, with an all-black cast, was the first Broadway production that treated African Americans a serious characters, as something other than caricatures. Asherie draws on his knowledge of ragtime, stride, bebop and modern jazz to to ...
read moreEhud Asherie with Harry Allen: Lower East Side
by Dan Bilawsky
In this day and age, when shock-and-awe maneuvers and new-thing sounds tend to get all the plaudits and press in jazz, it says a lot when a throwback duo date is widely admired by critics and fans alike. Such was the case with pianist Ehud Asherie's Upper West Side (Posi-Tone, 2012), which brought him into contact with like-minded saxophonist Harry Allen and presented a program of old chestnuts that were revived by their expert hands. Now, a year after that ...
read moreEhud Asherie and Harry Allen: Lower East Side
by Bruce Lindsay
Pianist Ehud Asherie and tenor saxophonist Harry Allen are established musical partners with a shared fondness for a time when songwriting giants like Irving Berlin and Richard Rodgers were at their creative zeniths. Lower East Side is the pair's second duo outing, following on from Upper West Side (Posi-Tone, 2012), and once again the two demonstrate how this fondness for a bygone era can still produce fresh and joyous music.The journey from Upper West Side to Lower East ...
read moreEhud Asherie with Harry Allen: Upper West Side
by Raul d'Gama Rose
Upper West Side is as fine a duet album as has been made by a pianist with another instrumentalist. This declaration may very possibly include the albums made by Hank Jones with Tommy Flanagan and Oscar Peterson with Dizzy Gillespie. It is a credit to pianist Ehud Asherie that he made this album at such a young age in comparison to the masters who have been mentioned in the same breath, perhaps with seeming blasphemy. However, considering Asherie's instrumental mastery, ...
read moreEhud Asherie with Harry Allen: Upper West Side
by C. Michael Bailey
Wherever tenor saxophonist Harry Allen shows up, there is sure to be a major outbreak of Old School. Along with Scott Hamilton, Allen is a keeper of the flame encompassing saxophone practice from Frankie Trumbauer to Lester Young. Pianist Ehud Asherie is cut from the same bolt as Ralph Sutton and Dick Hyman. His previous Posi-Tone recordings, Look Out (2007), Modern Life (2010), and Organic (2010) all demonstrate that Asherie is well-schooled in stride and modern keyboard styles, as well ...
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