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Jazz Articles about Jeremy Pelt

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Album Review

Xaver Hellmeier: X-Man in New York

Read "X-Man in New York" reviewed by Jack Bowers


Drummer Xaver (X-Man) Hellmeier has been little known to date outside his native Germany and other European countries. One way to help redress that oversight is to surround oneself with some of the most well-respected and talented musicians on the New York scene, which is what Hellmeir has done on his superb debut album, X-Man in New York. When it comes to choosing sidemen, it is hard to belie the inclusion of trumpeter Jeremy Pelt, tenor saxophonist Eric Alexander, pianist ...

13
Live Review

Jeremy Pelt Quintet at Jazz Alley

Read "Jeremy Pelt Quintet at Jazz Alley" reviewed by Paul Rauch


Jeremy Pelt Quintet Jazz Alley Seattle, WA November 7, 2023 At forty seven years of age, trumpeter/composer Jeremy Pelt came of age as a musician in the mid-1990's as a young member of the Mingus Big Band. He benefited greatly during that time and in the years that followed, from the mentorship of his elders. This tradition that has sustained the music over the course of more than one hundred years, took the human form ...

Album Review

Jean-Paul Bourelly: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Vic Albani


Doppio CD o doppio vinile prodotto in HI-Res e con packaging di lusso dalla Jammin'colorS, agenzia per artisti jazz, world, funk, alternativi, hip-hop, electro e sperimentali nonché etichetta indipendente. Il lavoro che ha pubblicato in tanta pompa magna è un ampio collage di musica nera realizzato da 25 musicisti africani, caraibici e afroamericani guidati dalla visione creativa di Stefany Calembert (compagna del bassista jazz Reggie Washington) e produttrice estemporanea dell'etichetta belga. A tutti è stato chiesto di comporre ...

8
Album Review

Maci Miller: Nine

Read "Nine" reviewed by Richard J Salvucci


jny:Philadelphia-based singer Maci Miller gives her audience a variety of looks, all of them good. On first hearing, Blossom Dearie, but then, Blossom Dearie was Blossom Dearie. No one ever sounded quite like her. Then again, there is some mid 1960s Nancy Wilson, hushed, clipped, all business. On reflecting that Dearie and Wilson an odd combination do make, one just listens and stops thinking influences, other than “eclectic." Or maybe Billie Holiday, if Miller is in the mood. A Philly ...

2
Album Review

M. E. B.: That You Not Dare To Forget

Read "That You Not Dare To Forget" reviewed by Doug Collette


With all due respect to Lettuce's A Tribute to Miles Davis--Witches Stew (Self Produced, 2017) and the all-star ensemble dubbed Bitches Brew Revisited, M.E.B. (formerly known as Miles Electric Band) is an inordinately creative homage to Miles Davis. And given the continually experimental path The “Man With The Horn" chose to follow throughout his career, it is no doubt one of which he would approve. That You Not Dare To Forget is a slightly less than half-hour audio ...

30
Album Review

Jeremy Pelt: The Art of Intimacy, Vol. 2/His Muse

Read "The Art of Intimacy, Vol. 2/His Muse" reviewed by Jack Bowers


Trumpeter Jeremy Pelt's album, The Art of Intimacy, Vol. 2, is a hybrid: nearly one-half jazz quartet (quintet on one track), more than the other half quartet with strings. Strangely enough, the strings are nowhere listed on the album jacket, nor are Pelt's colleagues in his quartet. One has to read an accompanying press release from HighNote Records to learn that they are pianist Victor Gould, bassist Buster Williams and drummer Billy Hart (with guitarist Chico Pinheiro added on the ...

2
Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Mike Jurkovic


Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In deciding who best to share Van Gelder's hallowed space with, LeDonne and Alexander brought in the big guns--namely trumpeter Jeremy Pelt, alto saxophonist Vincent ...


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