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Interview With Al Chesis Of The Delta Sonics
by Steven Roby
This episode features an interview with Al Chesis from The Delta Sonics. Chesis has played in Colorado since the mid-1980s after moving to Denver from Washington, D.C. He played in the Mojo-Matics for five years, opening shows for Albert Collins, Elvin Bishop, Taj Mahal, Canned Heat, and others.The Delta Sonics music takes a Chicago Blues base and seasons it with Swing, Delta, N'awlins R&B, and some early Rock n' Roll. They were Westword's best blues band in Denver ...
read moreSteve Turre: Generations
by Dave Linn
Generations is a wonderful exploration of the bop and post-bop era. Steve Turre both looks back to his roots while encouraging the next generation of musicians to find their voice. It's a position he's eminently qualified for, considering the artists he has played with and his tenure as a long-time jazz educator. Trombone players have a unique place in the sound created in a small jazz band. Their parts helped blend and define any given melody. On this ...
read moreEd Cherry: Always Groovin’
by R.J. DeLuke
"I liked the look of it--I like the sound--the feel," says renowned guitarist Ed Cherry about the guitar, an instrument he has been playing for more than half a century. He long ago became a first-rate player with a warm sound and joyous approach. He is also diverse. He's played a myriad of styles ranging from the driving bebop of Dizzy Gillespie (with whom he played for over a decade) to the free jazz explorations of Henry Threadgill ...
read moreEd Cherry: Are We There Yet?
by Andrew Scott
In debates between Kenneth Miller, Richard Dawkins, and the late Stephen Jay Gould, the stay in your lane" boundaries that separate science from theology/philosophy become particularly porous, revealing the frequency with which individuals intellectually drift" in order to hold onto seemingly contradictory opinions of truth (empirical, scientific) and belief. Jazz, no less an ideology, has also become defined" through a series of maxims ("must swing," must contain the blues," must prefigure improvisation") that while articulating general truisms perhaps, ...
read moreEd Cherry: Are We There Yet?
by Pierre Giroux
February is appropriately recognized in the United States as Black History Month. The Cellar Music Group has been in the forefront of acknowledging the importance of Black musicians to jazz in America. With the release of Are We There Yet? by guitarist Ed Cherry, Cellar Music Group presents another release that is led by a Black artist. Cherry who has been a stalwart in the jny: New York jazz scene since 1978, has pulled together a tight band including vibraphonist ...
read moreEd Cherry: Are We There Yet?
by Edward Blanco
In remembering the great Wes Montgomery, guitarist phenom Ed Cherry records his arrangement and interpretations of one of the superstar's most memorable compositions with an incredible hard-swinging version of Mr. Walker" featuring Kyle Koehler on the Hammond B3 organ reminiscent of Montgomery collaborations with organist Melvin Rhyne. Byron Wookie" Landham on drums rounds out Cherry's quartet as vibraphonist Monte Croft sits this tune out. Cherry's elegantly lyrical and deeply soulful approach here is a homage and salute to Cherry's past ...
read moreBrian Charette: Jackpot
by Pierre Giroux
In the tradition of some great Hammond organ players of the past, such as Jack McDuff, Melvin Rhyne, Don Patterson, Larry Young and Jimmy Smith, one leading practitioner on this instrument, Brian Charette, wanted to write some swinging and soulful bebop tunes which would honor the memory of these past greats. The musicians Charette chose to travel on this journey were steeped in this genre, tenor saxophonist Cory Weeds, funky guitarist Ed Cherry and the swinging drummer Bill Stewart. To ...
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